Those who have been to Carpineto have seen the dark old pile in which the Pope was born, with its tower which tops the town, as the dwellings of the small nobles always did in every hamlet and village throughout the south of Europe. For the Pecci were good gentlefolk long ago, and the portraits of Pope Leo's father and mother, in their dress of the last century, still hang in their places in the mansion. His Holiness strongly resembles both, for he has his father's brow and eyes, and his mother's mouth and chin. In his youth he seems to have been a very dark man, as clearly appears from the portrait of him painted when he was Nuncio in Brussels at about the age of thirty-four years. The family type is strong. One of the Pope's nieces might have sat for a portrait of his mother. The extraordinarily clear, pale complexion is also a family characteristic. Leo the Thirteenth's face seems cut of live alabaster, and it is not a figure of speech to say that it appears to emit a light of its own. Born and bred in the keen air of the Volscian hills, he is a southern Italian, but of the mountains, and there is still about him something of the hill people. He has the long, lean, straight, broad-shouldered frame of the true mountaineer, the marvellously bright eye, the eagle features, the well-knit growth of strength, traceable even in extreme old age; and in character there is in him the well-balanced combination of a steady caution with an unerring, unhesitating decision, which appears in those great moments when history will not wait for little men's long phrases, when the pendulum world is swinging its full stroke, and when it is either glory or death to lay strong hands upon its weight. But when it stops for a time, and hangs motionless, the little men gather about it, and touch it boldly, and make theories about its next unrest.