Ave Roma Immortalis, Vol. 2: Studies from the Chronicles of RomeCrawford, F. Marion (Francis Marion)
History
Ave Roma Immortalis, Vol. 2: Studies from the Chronicles of Rome
Crawford, F. Marion (Francis Marion)
Rome (Italy) -- Description and travel
The Noble Guards carried the bier on their shoulders in solemn
procession, with chanting choir, robed bishop, and tramping soldiers,
round by the Confession and across the church, and lifted the body into
the coffin. The Pope had been very much beloved by all who were near
him, and more than one grey-haired prelate shed tears of genuine grief
that night.
In the coffin, in accordance with an ancient custom, a bag was placed
containing ninety-three medals, one of gold, one of silver and one of
bronze, for each of the thirty-one years which Pope Pius had reigned;
and a history of the pontificate, written on parchment, was also
deposited at the feet of the body.
When the leaden coffin was soldered, six seals were placed upon it, five
by cardinals, and one by the archivist. During the ceremony the
Protonotary Apostolic, the Chancellor of the Apostolic Chamber and the
Notary of the Chapter of Saint Peter's were busy, pen in hand, writing
down the detailed protocol of the proceedings.
The last absolution was pronounced, and the coffin in its outer case of
elm was slowly moved out and raised in slings, and gently swung into the
niche. The masons bricked up the opening in the presence of cardinals
and guards, and long before midnight the marble slab, carved to
represent the side of a sarcophagus, was in its place, with its simple
inscription, 'Pius IX, P.M.'
From time immemorial the well containing the marble staircase which
leads down to the tomb of Saint Peter has been called the 'Confession.'
The word, I believe, is properly applied to the altar-rail, from the
ancient practice of repeating there the general confession immediately
before receiving the Communion, a custom now slightly modified. But I
may be wrong in giving this derivation. At all events, a marble
balustrade follows the horseshoe shape of the well, and upon it are
placed ninety-five gilded lamps, which burn perpetually. There is said
to be no special significance in the number, and they produce very
little effect by daylight.
But on the eve of Saint Peter's Day, and perhaps at some other seasons,
the Pope has been known to come down to the church by the secret
staircase leading into the Chapel of the Sacrament, to pray at the
Apostle's tomb. On such occasions a few great candlesticks with wax
torches were placed on the floor of the church, two and two, between the
Chapel and the Confession. The Pope, attended only by a few chamberlains
and Noble Guards, and dressed in his customary white cassock, passed
swiftly along in the dim light, and descended the steps to the gilded
gate beneath the high altar. A marble pope kneels there too, Pius the
Sixth, of the Braschi family, his stone draperies less white than Pope
Leo's cassock, his marble face scarcely whiter than the living Pontiff's
alabaster features.
Public-domain text, read in full here on John Shaqi.
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