Ave Roma Immortalis, Vol. 2: Studies from the Chronicles of RomeCrawford, F. Marion (Francis Marion)
History
Ave Roma Immortalis, Vol. 2: Studies from the Chronicles of Rome
Crawford, F. Marion (Francis Marion)
Rome (Italy) -- Description and travel
It is true that the Trasteverines have preserved their individuality,
cut off as they have been by the river from the modernizing influences
which spread like a fever through the length and breadth of Rome. Their
quarter is full of crooked little streets and irregularly shaped open
places, the houses are not high, the windows are small and old
fashioned, and the entrances dark and low. There are but few palaces and
not many public buildings. Yet Trastevere is not a dirty quarter; on the
contrary, to eyes that understand Italians, there is a certain dignity
in its poverty, which used to be in strong contrast with the slipshod
publicity of household dirt in the inhabited parts of Monti. The
contrast is, in a way, even more vivid now, for Monti, the first Region,
has suffered most in the great crisis, and Trastevere least of all. Rome
is one of the poorest cities in the civilized world, and when she was
trying to seem rich, the element of sham was enormous in everything. In
the architecture of the so-called new quarters the very gifts of the
Italians turned against them; for they are born engineers and
mathematicians, and by a really marvellous refinement of calculation
they have worked miracles in the construction of big buildings out of
altogether insufficient material, while the Italian workman's
traditional skill in modelling stucco has covered vast surfaces of
unsafe masonry with elaborately tasteless ornamentation. One result of
all this has been a series of catastrophes of which a detailed account
would appal grave men in other countries; another consequence is the
existence of a quantity of grotesquely bad street decoration, much of
which is already beginning to crumble under the action of the weather.
It is sadder still, in many parts of Monti to see the modern ruins of
houses which were not even finished when the crash put an end to the
building mania, roofless, windowless, plasterless, falling to pieces and
never to be inhabited--landmarks of bankruptcy, whole streets of
dwellings built to lodge an imaginary population, and which will have
fallen to dust long before they are ever needed, stuccoed palaces meant
to be the homes of a rich middle class, and given over at derisory rents
to be the refuge of the very poor. In the Monti, ruin stares one in the
face, and poverty has battened upon ruin, as flies upon garbage.
Public-domain text, read in full here on John Shaqi.
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