Avril: Being Essays on the Poetry of the French RenaissanceBelloc, Hilaire
History
Avril: Being Essays on the Poetry of the French Renaissance
Belloc, Hilaire
French poetry -- 16th century -- History and criticism; Renaissance -- France
Line 12. _Loire._ This word has puzzled more than one editor. There are
two rivers: the great river Loire, which is feminine, and the little
Loir, which is masculine. Here Du Bellay spells the name of the great
river, but puts it in the masculine gender. It has been imagined that he
was talking of the smaller river. But he was not. The Loire alone has
any connection with Lire or with his life, and as for the gender,
strained as the interpretation may seem, I believe that Du Bellay
deliberately used it in the parallel with the Tiber and the idea of the
"Fleuve Paternel," to which he alludes so often elsewhere.
Line 13. _Lyre._ The modern Lire, his birthplace, on the left bank of
the Loire, just opposite Ancenis. As you go along the Poitiers road to
the bridge it stands up on your right, just before the river.
THE DOG.
Line 1. _Motte_=a turf.
Line 40. _Damoiselet._ Still used more or less in its old sense of a
young man _armed_: not merely a young page or a cadet of the
gentry,="like a little sentry."
Line 43. _Anvie_=(of course) "envie."
THE CAT.
Line 22. _Rouet_=spinning-wheel.
Line 26. _Panne_=the Italian _Panno_--cloth.
Line 27. _Troigne_=the mouth and face of an animal, the muzzle.
Line 32. _Chere_=(originally) "head" and one of the few old French words
derived from Greek, but the first signification has long been lost. Here
the phrase is equivalent to "faire bonne chere" which has for centuries
been used proverbially for what we call "a good time." _V. supra_ in
"The Farewell" of Charles of Orleans.
MALHERBE.
EXTRACTS FROM THE "ODE TO LOUIS XIII."
Stanza 3, line 1. _Centieme._ He dates the Huguenot trouble from a
century. It may be said to have originated in the placards threatening
the defilement of the Sacrament, placards which appeared in the streets
of Paris in 1525.
Stanza 2, line 3. _Le nom de Juste._ Louis XIII had no particular
affectation of that title: it is rather a reminiscence of his distant
collatoral and namesake who closed the fifteenth century.
Last stanza, line 1. _Toutes les autres morts._ He has just been
speaking of death in battle against the factions.
SONNET ON HIS SON'S DEATH.
Line 1. _Mon fils._ The only survivor of his many children, a young man,
just called to the bar at Aix and passionately loved by his father, he
bore the curious name of Marc-Anthony. A M. de Piles killed him in a
duel, having for second his brother-in-law. The whole was an honourable
bit of business, and the death such as men of honour must be prepared to
risk: but Malherbe would see no reason and defamed the adversary.
Public-domain text, read in full here on John Shaqi.
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