Courtship -- England -- Fiction; England -- Social life and customs -- 19th century -- Fiction
Hamel had told his friend with great triumph of his engagement
with Lucy Dormer, but the friend did not return the confidence by
informing the sculptor that during the whole of this conversation,
and for many days previous to it, his mind had been concerned with
the image of Lucy's sister. He was aware that Ayala had been, as it
were, turned out from her rich uncle's house, and given over to the
comparative poverty of Kingsbury Crescent. He himself, at the present
moment, was possessed of what might be considered a comfortable
income for a bachelor. He had been accustomed to live almost more
than comfortably; but, having so lived, was aware of himself that
he had not adapted himself for straitened circumstances. In spite
of that advice of his as to the brewing, baking, and washing
capabilities of a female candidate for marriage, he knew himself well
enough to be aware that a wife red with a face from a kitchen fire
would be distasteful to him. He had often told himself that to look
for a woman with money would be still more distasteful. Therefore he
had thought that for the present, at least, it would be well for him
to remain as he was. But now he had come across Ayala, and though in
the pursuance of his philosophy he had assured himself that Ayala
should be nothing to him, still he found himself so often reverting
to this resolution that Ayala, instead of being nothing, was very
much indeed to him.
Three days after this Hamel was preparing himself for his departure
immediately after breakfast. "What a beast you are to go," said the
Colonel, "when there can be no possible reason for your going."
"The five daughters and the bad hat make it necessary that a fellow
should do a little work sometimes."
"Why can't you make your images down here?"
"With you for a model, and mud out of the Caller for clay."
"I shouldn't have the slightest objection. In your art you cannot
perpetuate the atrocity of my colour, as the fellow did who painted
my portrait last winter. If you will go, go, and make busts at
unheard-of prices, so that the five daughters may live for ever on
the fat of the land. Can I do any good for you by going over to
Glenbogie?"
"If you could snub that Mr. Traffick, who is of all men the most
atrocious."
"The power doesn't exist," said the Colonel, "which could snub the
Honourable Septimus. That man is possessed of a strength which I
thoroughly envy,--which is perhaps more enviable than any other gift
the gods can give. Words cannot penetrate that skin of his. Satire
flows off him like water from a duck. Ridicule does not touch him.
The fellest abuse does not succeed in inflicting the slightest wound.
He has learnt the great secret that a man cannot be cut who will not
be cut. As it is worth no man's while to protract an enmity with
such a one as he, he suffers from no prolonged enmities. He walks
unassailable by any darts, and is, I should say, the happiest man in
London."
Public-domain text, read in full here on John Shaqi.
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