Courtship -- England -- Fiction; England -- Social life and customs -- 19th century -- Fiction
"And now, Mr. Hamel," said Sir Thomas, in his cheeriest voice, "how
are you?" Hamel declared that he was very well, and expressed a hope
that Sir Thomas was the same. "I am not so young as I was, Mr. Hamel.
My years are heavier and so is my work. That's the worst of it. When
one is young and strong one very often hasn't enough to do. I daresay
you find it so sometimes."
"In our profession," said Hamel, "we go on working, though very often
we do not sell what we do."
"That's bad," said Sir Thomas.
"It is the case always with an artist before he has made a name for
himself. It is the case with many up to the last day of a life of
labour. An artist has to look for that, Sir Thomas."
"Dear me! That seems very sad. You are a sculptor, I believe?"
"Yes, Sir Thomas."
"And the things you make must take a deal of room and be very heavy."
At this Mr. Hamel only smiled. "Don't you think if you were to call
an auction you'd get something for them?" At this suggestion the
sculptor frowned but condescended to make no reply. Sir Thomas went
on with his suggestion. "If you and half-a-dozen other beginners made
a sort of gallery among you, people would buy them as they do those
things in the Marylebone Road and stick them up somewhere about their
grounds. It would be better than keeping them and getting nothing."
Hamel had in his studio at home an allegorical figure of Italia
United, and another of a Prostrate Roman Catholic Church, which
in his mind's eye he saw for a moment stuck here or there about
the gardens of some such place as Glenbogie! Into them had been
infused all the poetry of his nature and all the conviction of his
intelligence. He had never dreamed of selling them. He had never
dared to think that any lover of Art would encourage him to put into
marble those conceptions of his genius which now adorned his studio,
standing there in plaster of Paris. But to him they were so valuable,
they contained so much of his thoughts, so many of his aspirations,
that even had the marble counterparts been ordered and paid for
nothing would have induced him to part with the originals. Now he was
advised to sell them by auction in order that he might rival those
grotesque tradesmen whose business it is to populate the gardens of
wealthy but tasteless Britons! It was thus that the idea represented
itself to him. He simply smiled; but Sir Thomas did not fail to
appreciate the smile.
"And now about this young lady?" said Sir Thomas, not altogether in
so good a humour as he had been when he began his suggestion. "It's a
bad look out for her when, as you say, you cannot sell your work when
you've done it."
"I think you do not quite understand the matter, Sir Thomas."
Public-domain text, read in full here on John Shaqi.
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