'In no way,' said Wilderspin, 'has the spirit-world neglected the
education of the apostle of spiritual beauty. I became a "blower" in
the smithy. As a child, from early sunrise till nearly midnight, I
blew the bellows for eighteen pence a week. But long before I could
read or write my mother knew that I was set apart for great things.
She knew, from the profiles I used to trace with the point of a nail
on the smithy walls, that, unless the heavy world pressed too heavily
upon me, I should become a great painter. Except anxiety about my
mother and my little brothers and sisters, I, for my part, had no
thought besides this of being some day a painter. Except love for her
and for them, I had no other passion. By assiduous attendance at
night-schools I learnt to read and write. This enabled me to take a
better berth in Black Waggon Street, where I earned enough to take
lessons in drawing from the reduced widow of a once prosperous
fogger. But ah! so eager was I to learn, that I did not notice how my
mother was fading, wasting, dying slowly. It was not till too late
that I learnt the appalling truth, that while the babes had been
nourished, the mother had starved--starved! On a few ounces of bread
a day no woman can work the Oliver and prod the fire. Her last
whispers to me were, "I shall see you, dear, a great painter yet;
Jesus will let me look down and watch my boy." Ah, Sinfi Lovell! that
makes you weep. It is long, long since I ceased to weep at that.
"Whatsoever is not of faith is sin."'
Rhona Boswell, down whose face also the tears were streaming, nodded
in a patronising way to Wilderspin, and said, 'Reia, my mammy lives
in the clouds, and I'll tell her to show you the Golden Hand, I
will.'
'From the moment when I left my mother in the grave,' said
Wilderspin, 'I had but one hope, that she who was watching my
endeavours might not watch in vain. Art became now my religion:
success in it my soul's goal. I went to London; I soon began to
develop a great power of design, in illustrating penny periodicals.
For years I worked at this, improving in execution with every design,
but still unable to find an opening for a better class of work. What
I yearned for was the opportunity to exercise the gift of colour.
That I did possess this in a rare degree I knew. At last I got a
commission. Oh! the joy of painting that first picture! My progress
was now rapid. But I had few purchasers till Providence sent me a
good man and great gentleman, my dear friend--'
'This is a long-winded speech of yours, _mon cher_,' yawned Cyril.
'Lady Sinfi is going to strike up with the Welsh riddle unless you
get along faster.'
'Don't stop him,' I heard Sinfi mutter, as she shook Cyril angrily;
'he's mighty fond o' that mother o' his'n, an', if he's ever sich a
horn nataral, I likes him.'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account