We soon began, all three of us, to talk freely together. Of course I
was filled with curiosity about my new friends, especially about the
liar. His extraordinary command of facial expression, coupled with
the fact that he wore no hair on his face, made me at first think he
was a great actor; but being at that time comparatively ignorant of
the stage, I did not attempt to guess what actor it was. After a
while his prodigious acuteness struck me more than even his
histrionic powers, and I began to ask myself what Old Bailey
barrister it was.
Turning at last to the one called D'Arcy, I said. 'You are an artist;
you are a painter?'
'I have been trying for many years to paint,' he said.
'And you?' I said, turning to his companion.
'He is an artist too,' D'Arcy said, 'but his line is not painting--he
is an artist in words.'
'A poet?' I said in amazement.
'A romancer, the greatest one of his time unless it be old Dumas.'
'A novelist?'
'Yes, but he does not write his novels, he speaks them.'
De Castro, evidently with a desire to turn the conversation from
himself and his profession, said, pointing to D'Arcy, 'You see before
you the famous painter Haroun-al-Raschid, who has never been known to
perambulate the streets of London except by night, and in me you see
his faithful vizier.'
It soon became evident that D'Arcy, for some reason or other, had
thoroughly taken to me--more thoroughly, I thought, than De Castro
seemed to like, for whenever D'Arcy seemed to be on the verge of
asking me to call at his studio, De Castro would suddenly lead the
conversation off into another channel by means of some amusing
anecdote. However, the painter was not to be defeated in his
intention; indeed I noticed during the conversation that although
D'Arcy yielded to the sophistries of his companion, he did so
wilfully. While he forced his mind, as it were, to accept these
sophistries there seemed to be all the while in his consciousness a
perception that sophistries they were. He ended by giving me his
address and inviting me to call upon him.
'I am only making a brief stay in London,' he said; 'I am working
hard at a picture in the country, but business just now calls me to
London for a short time.'
With this we parted at the door of the restaurant.
II
It was through the merest accident that I saw these two men again.
One evening I had been dining with my mother and aunt. I think I may
say that I had now become entirely reconciled to my mother. I used to
call upon her often, and at every call I could not but observe how
dire was the struggle going on within her breast between pride and
remorse. She felt, and rightly felt, that the loss of Winifred among
the Welsh hills had been due to her harshness in sending the stricken
girl away from Raxton, to say nothing of her breaking her word with
me after having promised to take my place and watch for the exposure
of the cross by the wash of the tides until the danger was certainly
past.
Public-domain text, read in full here on John Shaqi.
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