'And the original of this face?' I heard my mother say in a voice
that seemed agitated; 'could you tell me something about the original
of this remarkable face?' 'The model?' said Wilderspin. 'We are not
often asked about our models, but a model like that would endow
mediocrity itself with genius, for, though apparently, and by way of
beneficent illusion, the daughter of an earthly costermonger, she was
a wanderer from another and a better world. She is not more beautiful
here than when I saw her first in the sunlight on that memorable day,
at the corner of Essex Street, Strand, bare-headed, her shoulders
shining like patches of polished ivory here and there through the
rents in her tattered dress, while she stood gazing before her,
murmuring a verse of Scripture, perfectly unconscious whether she was
dressed in rags or velvet; her eyes--'
'The eyes--it _is_ the eyes, don't you know--it is the eyes that are
not quite right,' said Sleaford. 'Blue eyes with black eyelashes are
awfully fine; you don't see 'em in Egypt. But I suppose that's the
type of something too. Types always floor me, don't you know?'
'But the scene is no longer Egypt, my lord; it is Corinth,' replied
Wilderspin.
During this dialogue I stood motionless before the predella: I could
not stir; my feet seemed fixed in the floor by what can only be
described as a wild passion of expectation. As I stood there a
marvellous change appeared to be coming over the veiled figure of the
predella. The veil seemed to be growing more and more filmy--more and
more like the 'steam' to which Sleaford had compared it, till at last
it resolved itself into a veil of mist--into the rainbow-tinted
vapours of a gorgeous mountain sunrise--and looking straight at me
were two blue eyes sparkling with childish happiness and childish
greeting, through flushed mists across a pool on Snowdon.
That she was found at last my heart knew, though my brain was dazed.
That in the next room, within a few yards of me, my mother and
Sleaford and Wilderspin were looking at the picture of Winifred's
face unclouded by the veil, my heart knew as clearly as though my
eyes were gazing at it, and yet I could not stir. Yes, I knew that
she was now neither a beggar in the street, nor a prisoner in one of
the dens of London, nor starving in a squalid garret, but was safe
under the sheltering protection of a good man. I knew that I had only
to pass between those folding-doors to see her in Wilderspin's
picture--see her dressed in the 'azure-coloured tunic bordered with
stars,' and the upper garment of the 'colour of the moon at
moonrise,' which Wilderspin had so vividly described in Wales; and
yet, paralysed by expectation, I could not stir.
III
Soon I was conscious that my mother, Sleaford, and Wilderspin were
standing by my side, that Wilderspin's hand was laid on my arm, and
that I was pointing at the predella--pointing and muttering,
'She lives! She is saved.'
Public-domain text, read in full here on John Shaqi.
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