'And she never came to any harm?' I said, holding the great muscular
hands between my two palms, unwilling to let them go. 'She never came
to any harm?'
'Ain't I said so more nor wunst? I swore on the Bible--there's the
very Bible, under the match-box, agin the winder--on that very Bible
I swore as my port Jenny brought from Wales, an' as I've never popped
yit that this pore half-sharp gal should never go wrong through me;
an' then, arter I swore that, my pore Jenny let me alone, an' I never
'eard 'er v'ice no more a-cryin'. "Mother, vi'lets, vi'lets; mother,
vi'lets, vi'lets!" An' many's the chap as 'as come leerin' after 'er
as I've sent away with a flea in 'is ear. Cuss 'em all; they's all
bad alike about purty gals, men is. She's never comed to no wrong
through _me_. Didn't I ammost kill a real sailor capting when I used
to live in the East End 'cause he tried to meddle with 'er? An'
worn't that the reason why I left my 'um close to Radcliffe 'Ighway
an' comed 'ere? Them as killed 'er wur the cussed lot in the
studeros. I'm a dyin' woman; I'm as hinicent as a new-born babe. An'
there ain't nothink o' 'ern in this room on'y a pair o' ole shoes an'
a few rags in that ole trunk under the winder.'
I went to the trunk and raised the lid. The tattered, stained remains
of the very dress she wore when I last saw her in the mist on
Snowdon! But what else? Pushed into an old worn shoe, which with its
fellow lay tossed among the ragged clothes, was a brown stained
letter. I took it out. It was addressed to 'Miss Winifred Wynne at
Mrs. Davies's.' Part of the envelope was torn away. It bore the
Graylingham post-mark, and its superscription was in a hand which I
did not recognise, and yet it was a hand which seemed half-familiar
to me. I opened it; I read a line or two before I fully realised what
it was--the letter, full of childish prattle, which I had written to
Winifred when I was a little boy--the first letter I wrote to her.
I forgot where I was, I forgot that Sinfi was standing outside the
door, till I heard the woman's voice exclaiming, 'What do you want to
set on my bed an' look at me like that for?--you ain't no p'leaceman
in plain clothes, so none o' your larks. Git off o' my bed, will ye?
You'll be a-settin' on my bad leg an' a-bustin' on it in a minit. Git
off my bed, else look another way; them eyes o' yourn skear me.'
I was sitting on the side of her bed and looking into her face.
'Where did you get this?' I said, holding out the letter.
Public-domain text, read in full here on John Shaqi.
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