Blue Ridge Mountains -- Juvenile fiction; Girls -- Juvenile fiction; North Carolina -- Juvenile fiction
“You don’t seem nearly so tired and sleepy as I am, Zalie dear. Sit by
me and hold my hand,” pleaded Carin. “You’ll lie next me, won’t
you—quite close? The mountain seems huge, doesn’t it? Like a kind
beast. Isn’t it breathing? I feel as if it were breathing. Deep
breaths. Where do you suppose my own, own father and mother are
to-night? It was queer that I didn’t want to go with them, wasn’t it? I
wonder if it was because I didn’t wish to leave you, ‘honey-bird’—as Mr.
Thompson calls you. Why didn’t he bring his fiddle? He doesn’t look
right to me without his fiddle. Oh—h, how tired I am. Sing, Azalea:
‘Now the day is over.’”
Carin hummed the first line; Azalea took it up at the second, and the
soft silence of the night was broken by the harmony of their voices.
Azalea remembered the evening, long ago, when she had heard Carin and her
father and mother singing that far down the trail. That was the night
they had come to ask her to be Carin’s adopted sister—the night she had
weighed her love for Ma McBirney in the balance with riches and
opportunity, and had decided in favor of the mountain cabin and Ma
McBirney’s love.
Carin slept quickly, but she was over-tired; her slender shoulders
twitched spasmodically, and the hand Azalea held would clutch and then as
suddenly relax.
“Oh, me,” thought Azalea, suddenly anxious, “are we forgetting how
delicate and tender she is? What if she should be ill, with her mother
so far away! We aren’t looking after her the way we ought. She can’t
stand the things the rest of us can. I must have a talk with Aunt Zillah
at once.”
She drew her hand softly from Carin’s grasp and looked about her for Aunt
Zillah. Someone paced slowly up and down beneath the trees at no great
distance, and Azalea ran to see who it was.
“It’s only Keefe,” said a voice in answer to her low inquiry. “Not the
person you’re looking for, I’m sure.”
“I happened to be looking for Aunt Zillah,” said Azalea; “but why
shouldn’t I be looking for you, Keefe O’Connor?”
“Because you never do—you never have—never will. Nobody looks for me.
Nobody worries about me. I come and go as I please—and don’t like it. I
had some hope at the beginning of the season that Mrs. Rowantree would
worry about me—she seemed so nice. But she hasn’t a speck of worry to
spare from Himself and the children. Then I thought maybe Miss Pace
would devote at least ten minutes a day to worrying about me, but _she_
hasn’t shown a sign of it. She never asks me where I come from or who I
am, or why I am, or—”
“Why, Keefe O’Connor, you’re as unjust as you can be. She hasn’t asked
you—none of us has asked you—because we thought that for some reason you
didn’t want to tell.”
Keefe stopped short in his pacing, and standing twenty feet from the
girl, let one cold word drop between them.
“Oh!”
Public-domain text, read in full here on John Shaqi.
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