The only comparatively modern church in Bordeaux, which is much vaunted, is Notre Dame, erected in 1701; it is lofty, and large, and of Grecian architecture; but did not impress me with any feelings of admiration; and it stands at the end of a narrow street in a corner, shown to little more advantage than the neglected St. Michel itself. Before the cathedral of St. André, which we next visited, a space has been cleared away; and at St. Seurin, also, where a grove of trees has been planted, which adds greatly to the venerable appearance of the building. St. André is of the thirteenth century, and is wonderfully magnificent and curious. Its tower, called De Payberland, stands alone, like that of St. Michel; and is only less stupendous than that wonder of architecture. The size and height of the aisles and choir are amazing, and the nave of the choir is bold and grand in the extreme. The two spires of the southern portal are of great beauty, and the whole fabric is full of interest, though scarcely a tomb remains. There are, however, several exquisitely-carved canopies where tombs have been, and, standing close to one of the large pillars behind the choir, is a group which excited my utmost interest; it seems to represent the Virgin and St. Anne, but might have another meaning. A figure in a nun's habit stands close against a pillar in a niche, and by her side is a little girl of about eleven years of age, in the full costume of the thirteenth century, one of whose hands touches her robe, and who appears under her protection. This charming little figure represents what might well be a young princess in flowing robes; the upper one is gathered up, and its folds held under one arm: her waist is encircled by a sash, the ends of which are confined by tassels. A necklace of beads is round her neck; the body of her gown is cut square. Her hair hangs in long thick tresses down her back, and over her shoulder, and is wreathed with jewels. A small cap, _delicately plaited_, covers the fore-part of her head, and a rich wide band of pearls and gems surmounts it. The features are very youthful, but with a grave majesty in their expression; the attitude is queenly, and the whole statue full of grace and simplicity. The nun has a melancholy, benevolent cast of features, inferior in style to the little princess, but extremely pleasing.