Béarn and the Pyrenees : $b A legendary tour to the country of Henri QuatreCostello, Louisa Stuart
History
Béarn and the Pyrenees : $b A legendary tour to the country of Henri Quatre
Costello, Louisa Stuart
Béarn (France) -- Description and travel; Pyrenees -- Description and travel
she did not understand French--looked very benevolently towards us, and
presently took off her apron, and came insisting that we should use it
as a seat, as she said it was dangerous for such as us to sit on the
bare ground; "we are used to it, and it does us no harm; but you are
wrong to risk it," was her remark; and, with all the kindness
imaginable, she made us accept her courtesy. We have often met with
similar demonstrations of kind feeling from the peasantry in France;
who, when not spoilt by the town and trade, are generally amiable, and
anxious to oblige on all occasions.
Nothing could be more lovely than the extensive view before us from this
spot; hills covered with vines and rich foliage, fields of Indian corn,
bright meadows and banks of glowing flowers, with the river winding
through all, wide and bright; the town, picturesque in the distance,
undulating hills, and a clear blue sky. At the end of a large field, we
came to a pretty bower, formed of vines, on the edge of the wooded
declivity; probably used as a retreat by the master and his family, in
the time of the vintage; it looked quite Italian, and we were not sorry
to shelter there from the hot sun.
Half-way down from the telegraph hill is a cavern called the Hermitage,
which once was the retreat of a holy anchorite; but, being now chosen as
a place for fêtes, has become a sort of cockney spot, and has lost its
character of solemnity; but it is the great object of attraction to the
inhabitants of Agen, who flock there in crowds on saints'-days and
Sundays.
We had made an appointment, on our return from wandering amongst the
heights, to pay a visit to a very remarkable personage, who is held,
both in Agen and throughout Gascony, to be the greatest poet of modern
times. We had heard much of him before we arrived, and a friend of mine
had given me some lines of his with the music, in England; one song I
published in a recent work;[18] but I was not then aware of the history
of the author, of whom the ballad "Mi cal mouri!" was one of the
earliest compositions, and that which first tended to make him popular.
My friend, who possesses very delicate taste and discrimination, was
much struck with the grace and beauty of this song; though the
reputation of its author has reached its height since the time when she
first met with his melody.
[Footnote 18: "Pilgrimage to Auvergne," chap, xiii, p. 210.]
Public-domain text, read in full here on John Shaqi.
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