"What can I do, Leila?" mother said. "The girl is attractive, and
probably men will always be following her and making trouble. Think of
last winter. I know it is bribery, but it is better than scandal."
"I want nothing, mother," I said, in a low, heart stricken tone, "save to
be allowed to live my own life and to have a career."
"My heavens," mother said, "if I hear that word again, I'll go crazy."
So she went away, and Sis came over and looked down at me.
"Well!" she said. "What's happened anyhow? Of course you've been up to
some mischief, but I don't suppose anybody will ever know the truth
of it. I was hoping you'd make it this time and get married, and stop
worrying us."
"Go away, please, and let me sleep," I said. "As to getting married,
under no circumstances did I expect to marry him. He has a wife already.
Personally, I think she's a total loss. She wears patent wavers at
night, and sleeps with her mouth open. But who am I to interfere with
the marriage bond? I never have and never will."
But Sis only gave me a wild look and went away.
This, dear readers and schoolmates, is the true story of my meeting with
and parting from Reginald Beecher, the playwright. Whatever the papers
may say, it is not true, except the fact that he was recognized by Jane
Raleigh, who knew the suit he wore, when in the act of pawning his ring
to get money to escape from his captors (I. E., The Pattens). It
was the necktie which struck her first, and also his guilty expression.
As I was missing by that time, Jane put two and two together and made an
elopement.
Sometimes I sit and think things over, my fingers wandering "over the
ivory keys" of the typewriter they gave me to promise not to elope with
anybody--although such a thing is far from my mind--and the world seems
a cruel and unjust place, especially to those with ambition.
For Reginald Beecher is no longer my ideal, my night of the pen. I will
tell about that in a few words.
Jane Raleigh and I went to a matinee late in September before returning
to our institutions of learning. Jane clutched my arm as we looked at our
programs and pointed to something.
How my heart beat! For whatever had come between us, I was still loyal
to him.
This was a new play by him!
"Ah," my heart seemed to say, "now again you will hear his dear words,
although spoken by alien mouths.
"The love scenes----"
I could not finish. Although married and forever beyond me, I could
still hear his manly tones as issuing from the door of the Bath-house.
I thrilled with excitement. As the curtain rose I closed my eyes in
ecstasy.
"Bab!" Jane said, in a quavering tone.
I looked. What did I see? The bath-house itself, the very one. And as
I stared I saw a girl, wearing her hair as I wear mine, cross the stage
with a bunch of keys in her hand, and say to the bath-house door.
"Can't I do something to help? I do so want to help you."
MY VERY WORDS.
And a voice from beyond the bath-house door said:
"Who's that?"
HIS WORDS.
Public-domain text, read in full here on John Shaqi.
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