But when Colin so far relented
as to touch his territorial pride upon the quick (for the earl regarded
himself as the personal embodiment of all West Dorset), Lord Beaminster
relented too, and answered with something like geniality, 'Well, well!
I'm always pleased when one of my own people rises to artistic or
literary eminence, Mr. Churchill. We won't quarrel about trifles. You
come from Wootton Mande ville, don't you? Ah, yes! Well, I'm the lord of
the manor of Wootton, as you know, of course, and I'm pleased to think
you should have come from one of my own places. We'll take the figures
as they stand; we'll take them as they stand, and I'll find a place for
them somewhere at Netherton, I can promise you. Now how much will you
charge me for this group, Autumn and all, in marble?'
Colin stood for a moment perfectly irresolute. That was a question about
which, in his abstract devotion to the goodness of his artistic work, he
had never yet given the slightest consideration. 'Well, I should think,'
he said hesitatingly--'I don't know if I'm asking too much--it's a big
composition, and there are a good many figures in it. Suppose we were to
say five hundred guineas?'
The earl nodded a gracious acquiescence.
'But perhaps,' Colin went on timidly, 'I may have asked too much in my
inexperience.' 'Oh, no; not at all too much,' the earl answered, with a
munificent and expansive wave of his five big farmer fingers. 'I like to
encourage art--and above all art in a West Dorset man.'
'You're very kind,' Colin murmured, rather humbly, feeling as though he
had much to be grateful for. 'I shall do my best to execute the group
in marble to your satisfaction, so that it may be worthy of its place in
the oriels at Netherton.'
'I've no doubt you will,' the earl put in with noble condescension: 'no
doubt at all in the world about it. I'm glad to have the opportunity of
extending my patronage to a Wootton sculptor. I'm devoted to art, Mr.
Churchill, quite devoted to it.'
Colin smiled, but answered nothing.
The earl stopped a little longer, inspecting the drawings and models,
and then took his departure with much stately graciousness, to Colin's
intense relief and satisfaction. As he went out, the door happened to
open again, and in walked Hiram Winthrop.
'My dear Winthrop!' Colin cried out in exultation, 'congratulate me!
I've just got a commission for Autumn and the Breezes!'
'What, in marble?' Hiram said, grasping his hand warmly.
'Yes, in marble.'
'My dear fellow, I'm delighted. And you deserve it, too, so well. But
who from? Not that fat old gentleman with the vacant face that I met
just now out there upon the doorstep!'
Public-domain text, read in full here on John Shaqi.
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