Carving in ivory was another trade followed in Babylonia and Assyria. The carved ivories found on the site of Nineveh are of great beauty, and from a very early epoch ivory was used for the handles of sceptres, or for the inlaid work of wooden furniture. The “ivory couches” of Babylonia made their way to the West along with the other products of Babylonian culture, and Amos (vi. 4) denounces the wealthy nobles of Israel who “lie upon beds of ivory.” Thothmes III. of Egypt, in the sixteenth century B.C., hunted the elephant on the banks of the Euphrates, not far from Carchemish, and, as late as about 1100 B.C., Tiglath-pileser I. of Assyria speaks of doing the same. In the older period of Babylonian history, therefore, the elephant would have lived on the northern frontier of Babylonian domination, and its tusks would have been carried down the Euphrates along with other articles of northern trade. Quite as old as the trade of the carver in ivory was that of the porcelain-maker. The walls of the palaces and temples of Babylonia and Assyria were adorned with glazed and enamelled tiles on which figures and other designs were drawn in brilliant colors; they were then covered with a metallic glaze and fired. Babylonia, in fact, seems to have been the original home of the enamelled tile and therewith of the manufacture of porcelain. It was a land of clay and not of stone, and while it thus became necessary to ornament the plain mud wall of the house, the clay brick itself, when painted and protected by a glaze, was made into the best and most enduring of ornaments. The enamelled bricks of Chaldea and Assyria are among the most beautiful relics of Babylonian civilization that have survived to us, and those which adorned the Persian palace of Susa, and are now in the Museum of the Louvre, are unsurpassed by the most elaborate productions of modern skill.