Short stories; United States -- Social life and customs -- 19th century -- Fiction
Now and then a brakeman goes by swinging his lantern. The boys would
like to ask him what time it is, but for one thing they're too bashful.
Being a brakeman is almost as good as going with a “troupe” or a circus.
You get to go to places that way, too, Marysville, and Mechanicsburg,
and Harrod's--that is, if you're on the local freight, and then you lay
over in Cincinnati. Some ways it's better than firing, and some ways it
isn't so good. And then there is another reason why they don't ask
the brakeman what time it is. He'd say it was “forty-five” or maybe
“fifty-three,” and never tell what hour.
“Say! Do you know it's cold? You wouldn't think it would be so cold in
the summer-time.”
The maple-trees, from being formless blobs, insensibly begin to look
like lace-work. Presently the heavens and the earth are bathed in liquid
blue that casts a spell so potent on the soul of him that sees it that
he yearns for something he knows not what, except that it is utterly
beyond him, as far beyond him as what he means to be will be from what
he shall attain to. One dreams of romance and renown, of all that should
be and is not. And as he dreams the birds awaken. In the East there
comes a greenish tinge. Far up the track, there is a sullen roar, and
then the hoarse diapason of an engine whistle. The roar strengthens and
strengthens. It is the circus train.
Under the witchcraft of the dreaming blue, each boy had a firm and
stubborn purpose. Over and over again he rehearsed how he would go up
to the man that runs the show, and say: “Please, mister, can I go with
you?” And the man would say, “Yes.” (As easy as that.) But the purpose
wavered as he saw the roustabouts come tumbling out, all frowsy and
unwashed, rubbing the sleep out of their eyes, cross and savage. And the
man whose word they jump to obey, he's kind of discouraging, it's all
business with him. The fellows may plead with their eyes; he never sees
them. If he does, he tells them where to get to out of that and how
quick he wants it done, in language that makes the boldest efforts of
the boys from across the tracks seem puny in comparison. The lads
divide into two parties. One follows the buggy of the boss canvasman to
Vandeman's lots where the stand is made. They will witness the spectacle
of the raising of the tents, but they will also be near the man that
runs the show, and if all goes well it may be he will like your looks
and saunter up to you and say: “Well, bub, and how would you like to
travel with us?” You don't know. Things not half so strange as that have
happened. And if you were right there at the time....
Public-domain text, read in full here on John Shaqi.
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