What gravels a boy the most of all is to have to do the same old thing over and over again, day after day, week in, week out. Once he has seen the circus come in, he cannot blind himself to the fact that everything is marked and numbered; that all is system, and that everything is done today exactly as it was done yesterday, and as it will be done tomorrow. “What town is this?” he hears a man inquire of another. “Blest if I know. What's the odds what town it is?” Didn't know what town it was! Didn't care! The keen morning air, or something, makes a fellow mighty unromantic, too. Perhaps it was the thin blue wood-smoke from the field-stoves, and the smell of the hot coffee and the victuals the waiters are carrying about, some to the tent where the bare tables are for the canvasmen, some to the table covered with a red and white table-cloth as befits performers. These have no rosy cheeks. Their lithe limbs are not richly decked with silken tights. Insensibly the upper lip curls. They're not so much. They're only folks. That's all, just folks. But when ideals die, great truths are born. To such a boy at such a moment there comes the firm conviction which increasing years can only emphasize: Home is but a poor prosaic place, but Home--Ah, my brother, think on this--Home is where Breakfast is. “Hay! Wait for me, you fellows! Hay! Hold on a minute. Well, ain't I a-comin' jis' 's fast 's ever I kin? What's your rush?” It is the exceptional boy has this experience. The normal one preserves the delicate bloom of romance, by never seeing the show until it makes its Grand Triumphal Entree in a Pageant of Unparalleled Magnificence far Surpassing the Pomp and Splendor of Oriental Potentates. The hitching-posts are full of whinnering country horses, and people are in town you wouldn't think existed if you hadn't seen their pictures in Puck and Yudge, people from over by Muchinippi, and out Noodletoozy way, big, red-necked men with the long loping step that comes from walking on the plowed ground. Following them are lanky women with their front teeth gone, and their figures bowed by drudgery, dragging wide-eyed children whose uncouth finery betrays the “country jake,” even if the freckles and the sun-bleached hair could keep the secret. From the far-off fastnesses, where there are still log-cabins chinked with mud, they have ventured to see the show come into town, and when they have seen that, they will retire again beyond our ken. How every sense is numbed and stunned by the magnificence and splendor of the painted and gilded wagons as they rumble past, the driver rolling and pitching in his seat, as he handles the ribbons of eight horses all at once! The farmer's heart is filled with admiration of his craft, as much as the children's hearts are at the gaudy pictures.