Back Home: Being the Narrative of Judge Priest and His PeopleCobb, Irvin S. (Irvin Shrewsbury)
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Back Home: Being the Narrative of Judge Priest and His People
Cobb, Irvin S. (Irvin Shrewsbury)
Kentucky -- Social life and customs -- Fiction; Short stories, American
Once upon a time, a good many years before this, Kamleiter's Hall
had been in the centre of things municipal. Nearly all the lodges and
societies had it then for their common meeting place; but when the new
and imposing Fraternity Building was put up, with its elevator, and its
six stories and its electric lights, and all, the Masons and the Odd
Fellows and the rest moved their belongings up there. Gideon K. Irons
Camp alone remained faithful. The members of the Camp had held their
first meeting in Kamleiter's Hall back in the days when they were just
organizing and Kamleiter's was just built. They had used its assembly
room when there were two hundred and more members in good standing, and
with the feeble persistency of old men who will cling to the shells of
past things, after the pith of the substance is gone, they still used
it.
So the Judge should have known those steps by the feel of them under his
shoe soles, he had been climbing up and down them so long. Yet it seemed
to him they had never before been so steep and so many and so hard to
climb, certainly they had never been so dark. Before he reached the top
he was helping himself along with the aid of a hand pressed against the
plastered wall and he stopped twice to rest his legs and get his breath.
He was panting hard when he came to the final landing on the third
floor. He fumbled at a door until his fingers found the knob and
turned it. He stood a moment, getting his bearings in the blackness. He
scratched a match and by its flare located the rows of iron gas jets
set in the wall, and he went from one to another, turning them on and
touching the match flame to their stubbed rubber tips.
It was a long bare room papered in a mournful gray paper, that was
paneled off with stripings of a dirty white. There were yellow, wooden
chairs ranged in rows and all facing a small platform that had desks and
chairs on it, and an old fashioned piano. On the wall, framed uniformly
in square black wooden frames and draped over by strips of faded red and
white bunting, were many enlarged photographs and crayon portraits of
men either elderly or downright aged. Everything spoke of age and hard
usage. There were places where gussets of the wall paper had pulled away
from the paste and hung now in loose triangles like slatted jib sails.
Public-domain text, read in full here on John Shaqi.
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