But to pass the time of waiting we read them over and over again, until the curtain rolled up disclosing the palace scene, with a double row of chairs across the stage in half-moon formation, and down in front, where the villains died at regular shows, a table with a water pitcher on it. Daniel the Mystic came out of the wings and bowed, and there was a thin splashing of hand-clapping, mostly from the rear seats, with Sid Farrell and D. C. Davello furnishing lustier sounds of applause. First off Daniel the Mystic made a short speech full of large, difficult words. We boys wriggled during it, being anxious for action. We had it soon. D. C. Davello mounted the stage and he and Daniel the Mystic brought into view a thing they called a cabinet, but which looked to us like a box frame with black calico curtains nailed on it. When they got this placed to their satisfaction, Daniel the Mystic, smiling in a friendly way, asked that a committee of local citizens kindly step up and see that no fraud or deception was practiced in what was about to follow. I was surprised to see Doctor Lake and Mr. Herman Felsburg rise promptly at the invitation and go up on the stage, where they watched closely while D. C. Davello tied Daniel the Mystic's hands behind him with white ropes, and then meshed him to a chair inside the cabinet with so many knottings and snarlings of the twisted bonds that he looked like some long, black creature helplessly caught in a net. This done, the two watchers slipped into chairs at opposite ends of the half-moon formation. D. C. Davello laid a tambourine, a banjo and a dinner bell on the bound man's knees and whipped the calico draperies to. Instantly the bell rang, the banjo was thrummed and the tambourine rattled giddily, and white hands flashed above the shielding draperies. But when the manager cried out and jerked the curtains back, there sat the Mystic one still a prisoner, tied up all hard and fast. We applauded then like everything. The manager unroped him and went back to his place by the door, and after Daniel the Mystic had chafed his wrists where the red marks of the cords showed he came down a sort of little wooden runway into the audience, and standing in the aisle said something about now giving a demonstration of something. I caught the words occultism and spiritualism, both strangers to my understanding up to that time. He put his hands across his eyes for a moment, with his head thrown bade, and then he walked up the aisle four or five steps hesitating and faltering, and finally halted right alongside of Mr. Morton Harrison, the wharf master.