Back Home: Being the Narrative of Judge Priest and His PeopleCobb, Irvin S. (Irvin Shrewsbury)
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Back Home: Being the Narrative of Judge Priest and His People
Cobb, Irvin S. (Irvin Shrewsbury)
Kentucky -- Social life and customs -- Fiction; Short stories, American
She was coming all right! But was she? A sort of disappointed, surprised
gasp passed along the crowded sidewalks, and boys began sliding down
the awning poles and running like mad up the street. For instead of
continuing straight on down Jefferson, as all circus parades had always
done, the head of this one was seen now, after a momentary halt as
of indecision, to turn short off and head into Clay. But why Clay
Street--that was the question? Clay Street didn't have ten houses on it,
all told, and it ran up a steep hill and ended in an abandoned orchard
just beyond the old Priest place. Indeed the only way to get out of Clay
Street, once you got into it, was by a distant lane that cut through
to the paralleling street on the right. What would any circus parade in
possession of its sane senses be doing going up Clay Street?
But that indeed was exactly what this parade was doing--with the added
phenomena of Sheriff Giles Birdsong sitting vigilantly erect on the
front seat of the band wagon, and a band-wagon driver taking orders for
once from somebody besides his rightful boss--taking them protestingly
and profanely, but nevertheless taking them.
Yes, sir, that's what she was doing. The band wagon, behind the oblique
arc of its ten-horse team, was swinging into Clay Street, and the rest
of the procession was following its leader and disappearing, wormlike,
into a tunnel of overarching maples and silver-leaf poplars.
And so it moved, slowly and deliberately, after the fashion of circus
parades, past some sparsely scattered cottages that were mainly closed
and empty, seeing that their customary dwellers were even now downtown,
until the head of it came to a particularly shabby little brown house
that was not closed and was not empty. From a window here looked out
a worn little woman and a little sick boy, he as pale as the pillow
against which he was propped, and from here they saw it all--she through
tears and he with eyes that burned with a dumb joy unutterable--from
here these two beheld the unbelievable marvel of it. It was almost as
though the whole unspeakable grandeur of it had been devised for those
eyes alone--first the great grand frigate of a band wagon pitching and
rolling as if in heavy seas, with _artistes_ of a world-wide repute
discoursing sweet strains from its decks, and drawn not by four or six,
but by ten snow-white Arabian stallions with red pompons nodding above
their proud heads--that is to say, they were snow-white except perhaps
for a slight grayish dappling. And on behind this, tailing away and
away, were knights and ladies on mettled, gayly caparisoned steeds, and
golden pageant dens filled with ferocious rare beasts of the jungle,
hungrily surveying the surging crowds--only, of course, there weren't
any crowds--and sun-bright tableau cars, with crystal mirrors cunningly
inset in the scrolled carved work, so that the dancing surfaces caught
the sunlight and threw it back into eyes already joyously dazzled; and
Public-domain text, read in full here on John Shaqi.
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