“Pierre is full of strange and terrible ideas,” she said. “They are shared by other young men who fought bravely for France. To me they seem wicked, and the talk of cowards, except that their medals tell of courage. But the light in Hélène’s eyes weakens me. I’m too much of a Frenchwoman to be stern with love.” By those words of hers I was able to give Pierre a message of good-cheer when he walked back with me that night, and he went away with gladness. With gladness also did Elsa Brand set out next day for England where, as a girl, she had known happy days, and where now her dream lived with the man who stood beside her. Together we watched for the white cliffs, and when suddenly the sun glinted on them she gave a little cry, and putting her hand through Brand’s arm, said, “Our home!” VII I saw very little of Brand in London after Elsa’s arrival in his parent’s house at Chelsea. I was busy, as usual, watching the way of the world and putting my nose down to bits of blank paper which I proceeded to spoil with futile words. Brand was doing the same thing in his study on the top floor of the house in Cheyne Walk, while Elsa, in true German style, was working embroidery or reading English literature to improve her mind and her knowledge of the language. Brand was endeavouring strenuously to earn money enough to make him free of his father’s house. He failed, on the whole, rather miserably. He began a novel on the war, became excited with it for the first six chapters, then stuck hopelessly and abandoned it. “I find it impossible,” he wrote to me, “to get the real thing into my narrative. It is all wooden, unnatural, and wrong. I can’t get the right perspective on paper, although I think I see it clear enough when I’m not writing. The thing is too enormous, the psychology too complicated for my power of expression. A thousand characters, four years of experience, come crowding into my mind, and I can’t eliminate the unessential and stick the point of my pen into the heart of truth. Besides, the present state of the world, to say nothing of domestic trouble, prevents anything like concentration... And my nerves have gone to hell.” After the abandonment of his novel he took to writing articles for magazines and newspapers, some of which appeared, thereby producing some useful guineas. I read them and liked their strength of style and intensity of emotion. But they were profoundly pessimistic, and “the gloomy Dean,” who was prophesying woe, had an able seconder in Wickham Brand, who foresaw the ruin of civilisation and the downfall of the British Empire because of the stupidity of the world’s leaders and the careless ignorance of the multitudes. He harped too much on the same string, and I fancied that editors would soon begin to tire of his melancholy tune. I was right.