The presence of a German girl in the house seemed to act as a blight
upon all domestic happiness. It was the cook who first “gave notice.”
Elsa had never so much as set eyes upon that cross-eyed woman
below-stairs who had prepared the family food since Wickham had sat in
a high chair with a bib round his neck. But Mary, in a private interview
with Lady Brand, stormy in its character, as Elsa could hear through the
folding doors, vowed that she would not live in the same house with “one
of those damned Germings.”
Lady Brand’s tearful protestations that Elsa was no longer German, being
“Mr. Wickham’s wife,” and that she had repented sincerely of all the
wrong done by the country in which she had unfortunately been born, did
not weaken the resolution of Mary Grubb, whose patriotism had always
been “above suspicion,” “which,” as she said, “I hope to remain so.” She
went next morning, after a great noise of breathing and the descent of
tin boxes, while Lady Brand and Ethel looked with reproachful eyes at
Elsa as the cause of this irreparable blow.
The parlour-maid followed in a week’s time, on the advice of her young
man, who had worked in a canteen of the Y.M.C.A. at Boulogne and knew
all about German spies.
It was very awkward for Lady Brand, who assumed an expression of
Christian martyrdom, and told Wickham that his rash act was bearing sad
fruit, a mixed metaphor which increased his anger, as he told me, to a
ridiculous degree.
He could see that Elsa was very miserable. Many times she wept when
alone with him, and begged him to take her away to a little home of
their own, even if it were only one room in the poorest neighbourhood.
But Wickham was almost penniless, and begged her to be patient a little
longer, until he had saved enough to fulfil their hope. There I think
he was unwise. It would have been better for him to borrow money--he had
good friends--rather than keep his wife in such a hostile atmosphere.
She was weak and ill. He was alarmed at her increasing weakness. Once
she fainted in his arms, and even to go upstairs to their rooms at the
top of the house tired her so much that afterwards she would lie back in
a chair, with her eyes closed, looking very white and worn. She tried to
hide her ill-health from her husband, and when they were alone together
she seemed gay and happy, and would have deceived him but for those fits
of weeping at the unkindness of his mother and sister, and those sudden
attacks of “tiredness” when all physical strength departed from her.
Her love for him seemed to grow with the weakness of her body. She could
not bear him to leave her alone for any length of time, and while he
was writing, sat near him, so that she might have her head against his
shoulder or touch his hand, or kiss it. It was not conducive to easy
writing or the invention of plots.
Public-domain text, read in full here on John Shaqi.
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