Back to Methuselah: A Metabiological PentateuchShaw, Bernard
Philosophy
Back to Methuselah: A Metabiological Pentateuch
Shaw, Bernard
Drama
NAPOLEON. Because their love of fighting, their desire for glory, their
shame of being branded as dastards, their instinct to test themselves in
terrible trials, their fear of being killed or enslaved by the enemy,
their belief that they are defending their hearths and homes, overcome
their natural cowardice, and make them willing not only to risk their
own lives but to kill everyone who refuses to take that risk. But if war
continues too long, there comes a time when the soldiers, and also the
taxpayers who are supporting and munitioning them, reach a condition
which they describe as being fed up. The troops have proved their
courage, and want to go home and enjoy in peace the glory it has earned
them. Besides, the risk of death for each soldier becomes a certainty if
the fighting goes on for ever: he hopes to escape for six months, but
knows he cannot escape for six years. The risk of bankruptcy for the
citizen becomes a certainty in the same way. Now what does this mean for
me?
THE ORACLE. Does that matter in the midst of such calamity?
NAPOLEON. Psha! madam: it is the only thing that matters: the value
of human life is the value of the greatest living man. Cut off that
infinitesimal layer of grey matter which distinguishes my brain from
that of the common man, and you cut down the stature of humanity from
that of a giant to that of a nobody. I matter supremely: my soldiers do
not matter at all: there are plenty more where they came from. If you
kill me, or put a stop to my activity (it is the same thing), the
nobler part of human life perishes. You must save the world from
that catastrophe, madam. War has made me popular, powerful, famous,
historically immortal. But I foresee that if I go on to the end it will
leave me execrated, dethroned, imprisoned, perhaps executed. Yet if I
stop fighting I commit suicide as a great man and become a common one.
How am I to escape the horns of this tragic dilemma? Victory I
can guarantee: I am invincible. But the cost of victory is the
demoralization, the depopulation, the ruin of the victors no less than
of the vanquished. How am I to satisfy my genius by fighting until I
die? that is my question to you.
THE ORACLE. Were you not rash to venture into these sacred islands with
such a question on your lips? Warriors are not popular here, my friend.
NAPOLEON. If a soldier were restrained by such a consideration, madam,
he would no longer be a soldier. Besides [_he produces a pistol_], I
have not come unarmed.
THE ORACLE. What is that thing?
NAPOLEON. It is an instrument of my profession, madam. I raise this
hammer; I point the barrel at you; I pull this trigger that is against
my forefinger; and you fall dead.
THE ORACLE. Shew it to me [_she puts out her hand to take it from him_].
NAPOLEON [_retreating a step_] Pardon me, madam. I never trust my life
in the hands of a person over whom I have no control.
THE ORACLE [_sternly_] Give it to me [_she raises her hand to her
veil_].
Public-domain text, read in full here on John Shaqi.
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