Back to Methuselah: A Metabiological PentateuchShaw, Bernard
Philosophy
Back to Methuselah: A Metabiological Pentateuch
Shaw, Bernard
Drama
THE ANCIENT. No, thank you. I danced when I was a child like you.
Dancing is a very crude attempt to get into the rhythm of life. It would
be painful to me to go back from that rhythm to your babyish gambols: in
fact I could not do it if I tried. But at your age it is pleasant: and I
am sorry I disturbed you.
THE YOUTH. Come! own up: arnt you very unhappy? It's dreadful to see
you ancients going about by yourselves, never noticing anything, never
dancing, never laughing, never singing, never getting anything out of
life. None of us are going to be like that when we grow up. It's a dog's
life.
THE ANCIENT. Not at all. You repeat that old phrase without knowing
that there was once a creature on earth called a dog. Those who are
interested in extinct forms of life will tell you that it loved the
sound of its own voice and bounded about when it was happy, just as you
are doing here. It is you, my children, who are living the dog's life.
THE YOUTH. The dog must have been a good sensible creature: it set you
a very wise example. You should let yourself go occasionally and have a
good time.
THE ANCIENT. My children: be content to let us ancients go our ways and
enjoy ourselves in our own fashion.
_He turns to go._
THE MAIDEN. But wait a moment. Why will you not tell us how you enjoy
yourself? You must have secret pleasures that you hide from us, and that
you never get tired of. I get tired of all our dances and all our tunes.
I get tired of all my partners.
THE YOUTH [_suspiciously_] Do you? I shall bear that in mind.
_They all look at one another as if there were some sinister
significance in what she has said._
THE MAIDEN. We all do: what is the use of pretending we don't? It is
natural.
SEVERAL YOUNG PEOPLE. No, no. We don't. It is not natural.
THE ANCIENT. You are older than he is, I see. You are growing up.
THE MAIDEN. How do you know? I do not look so much older, do I?
THE ANCIENT. Oh, I was not looking at you. Your looks do not interest
me.
THE MAIDEN. Thank you.
_They all laugh._
THE YOUTH. You old fish! I believe you don't know the difference between
a man and a woman.
THE ANCIENT. It has long ceased to interest me in the way it interests
you. And when anything no longer interests us we no longer know it.
THE MAIDEN. You havnt told me how I shew my age. That is what I want to
know. As a matter of fact I am older than this boy here: older than he
thinks. How did you find that out?
THE ANCIENT. Easily enough. You are ceasing to pretend that these
childish games--this dancing and singing and mating--do not become
tiresome and unsatisfying after a while. And you no longer care to
pretend that you are younger than you are. These are the signs of
adolescence. And then, see these fantastic rags with which you have
draped yourself. [_He takes up a piece of her draperies in his hand_].
It is rather badly worn here. Why do you not get a new one?
Public-domain text, read in full here on John Shaqi.
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