Back to Methuselah: A Metabiological PentateuchShaw, Bernard
Philosophy
Back to Methuselah: A Metabiological Pentateuch
Shaw, Bernard
Drama
THE MAIDEN [_with a shrug_] I have luckily got through my childhood
without that experience. It shews how wise I was to choose a lover half
my age. [_She goes towards the grove, and is disappearing among the
trees, when another youth, older and manlier than Strephon, with crisp
hair and firm arms, comes from the temple, and calls to her from the
threshold_].
THE TEMPLE YOUTH. I say, Chloe. Is there any sign of the Ancient yet?
The hour of birth is overdue. The baby is kicking like mad. She will
break her shell prematurely.
THE MAIDEN [_looks across to the hill path; then points up it, and
says_] She is coming, Acis.
_The Maiden turns away through the grove and is lost to sight among the
trees._
Acis [_coming to Strephon_] Whats the matter? Has Chloe been unkind?
STREPHON. She has grown up in spite of all her promises. She deceived us
about her age. She is four.
ACIS. Four! I am sorry, Strephon. I am getting on for three myself;
and I know what old age is. I hate to say 'I told you so'; but she was
getting a little hard set and flat-chested and thin on the top, wasn't
she?
STREPHON [_breaking down_] Dont.
ACIS. You must pull yourself together. This is going to be a busy day.
First the birth. Then the Festival of the Artists.
STREPHON [_rising_] What is the use of being born if we have to decay
into unnatural, heartless, loveless, joyless monsters in four short
years? What use are the artists if they cannot bring their beautiful
creations to life? I have a great mind to die and have done with it
all. [_He moves away to the corner of the curved seat farthest from the
theatre, and throws himself moodily into it_].
_An Ancient Woman has descended the hill path during Strephon's lament,
and has heard most of it. She is like the He-Ancient, equally bald,
and equally without sexual charm, but intensely interesting and rather
terrifying. Her sex is discoverable only by her voice, as her breasts
are manly, and her figure otherwise not very different. She wears no
clothes, but has draped herself rather perfunctorily with a ceremonial
robe, and carries two implements like long slender saws. She comes to
the altar between the two young men._
THE SHE-ANCIENT [_to Strephon_] Infant: you are only at the beginning of
it all. [_To Acis_] Is the child ready to be born?
ACIS. More than ready, Ancient. Shouting and kicking and cursing. We
have called to her to be quiet and wait until you come; but of course
she only half understands, and is very impatient.
THE SHE-ANCIENT. Very well. Bring her out into the sun.
ACIS [_going quickly into the temple_] All ready. Come along.
_Joyous processional music strikes up in the temple._
THE SHE-ANCIENT [_going close to Strephon_]. Look at me.
STREPHON [_sulkily keeping his face _averted] Thank you; but I don't
want to be cured. I had rather be miserable in my own way than callous
in yours.
THE SHE-ANCIENT. You like being miserable? You will soon grow out of
that. [_She returns to the altar_].
Public-domain text, read in full here on John Shaqi.
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