Back to Methuselah: A Metabiological PentateuchShaw, Bernard
Philosophy
Back to Methuselah: A Metabiological Pentateuch
Shaw, Bernard
Drama
MARTELLUS. I did. That is why I laughed at you just now. You will smash
yours before you have completed a dozen of them. [_He goes to the end of
the altar and sits down beside the Newly Born_].
ARJILLAX. But why?
MARTELLUS. Because you cannot give them life. A live ancient is better
than a dead statue. [_He takes the Newly Born on his knee: she is
flattered and voluptuously responsive_]. Anything alive is better than
anything that is only pretending to be alive. [_To Arjillax_] Your
disillusion with your works of beauty is only the beginning of your
disillusion with images of all sorts. As your hand became more skilful
and your chisel cut deeper, you strove to get nearer and nearer to truth
and reality, discarding the fleeting fleshly lure, and making images of
the mind that fascinates to the end. But how can so noble an inspiration
be satisfied with any image, even an image of the truth? In the end the
intellectual conscience that tore you away from the fleeting in art to
the eternal must tear you away from art altogether, because art is false
and life alone is true.
THE NEWLY BORN [_flings her arms round his neck and kisses him
enthusiastically_].
MARTELLUS [_rises; carries her to the curved bench on his left; deposits
her beside Strephon as if she were his overcoat; and continues without
the least change of tone_] Shape it as you will, marble remains marble,
and the graven image an idol. As I have broken my idols, and cast away
my chisel and modelling tools, so will you too break these busts of
yours.
ARJILLAX. Never.
MARTELLUS. Wait, my friend. I do not come empty-handed today, as you
imagined. On the contrary, I bring with me such a work of art as you
have never seen, and an artist who has surpassed both you and me further
than we have surpassed all our competitors.
ECRASIA. Impossible. The greatest things in art can never be surpassed.
ARJILLAX. Who is this paragon whom you declare greater than I?
MARTELLUS. I declare him greater than myself, Arjillax.
ARJILLAX [_frowning_] I understand. Sooner than not drown me, you are
willing to clasp me round the waist and jump overboard with me.
ACIS. Oh, stop squabbling. That is the worst of you artists. You are
always in little squabbling cliques; and the worst cliques are those
which consist of one man. Who is this new fellow you are throwing in one
another's teeth?
ARJILLAX. Ask Martellus: do not ask me. I know nothing of him. [_He
leaves Martellus, and sits down beside Ecrasia, on her left_].
MARTELLUS. You know him quite well. Pygmalion.
ECRASIA [_indignantly_] Pygmalion! That soulless creature! A scientist!
A laboratory person!
ARJILLAX. Pygmalion produce a work of art! You have lost your artistic
senses. The man is utterly incapable of modelling a thumb nail, let
alone a human figure.
MARTELLUS. That does not matter: I have done the modelling for him.
ARJILLAX. What on earth do you mean?
MARTELLUS [_calling_] Pygmalion: come forth.
Public-domain text, read in full here on John Shaqi.
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