THE PARSON. It might give you a novel sensation to walk in at any time.
And I'm not sure but the church would suit your retrograde ideas.
It's so Gothic that a Christian of the Middle Ages, if he were alive,
couldn't see or hear in it.
HERBERT. I don't know whether these reformers who carry the world on
their shoulders in such serious fashion, especially the little fussy
fellows, who are themselves the standard of the regeneration they seek,
are more ludicrous than pathetic.
THE FIRE-TENDER. Pathetic, by all means. But I don't know that they
would be pathetic if they were not ludicrous. There are those reform
singers who have been piping away so sweetly now for thirty years, with
never any diminution of cheerful, patient enthusiasm; their hair growing
longer and longer, their eyes brighter and brighter, and their faces, I
do believe, sweeter and sweeter; singing always with the same
constancy for the slave, for the drunkard, for the snufftaker, for the
suffragist,--"There'sa-good-time-com-ing-boys (nothing offensive is
intended by 'boys,' it is put in for euphony, and sung pianissimo, not
to offend the suffragists), it's-almost-here." And what a brightening up
of their faces there is when they say, "it's-al-most-here," not doubting
for a moment that "it's" coming tomorrow; and the accompanying melodeon
also wails its wheezy suggestion that "it's-al-most-here," that
"good-time" (delayed so long, waiting perhaps for the invention of the
melodeon) when we shall all sing and all play that cheerful instrument,
and all vote, and none shall smoke, or drink, or eat meat, "boys." I
declare it almost makes me cry to hear them, so touching is their faith
in the midst of a jeer-ing world.
HERBERT. I suspect that no one can be a genuine reformer and not be
ridiculous. I mean those who give themselves up to the unction of the
reform.
THE MISTRESS. Does n't that depend upon whether the reform is large or
petty?
THE FIRE-TENDER. I should say rather that the reforms attracted to them
all the ridiculous people, who almost always manage to become the most
conspicuous. I suppose that nobody dare write out all that was ludicrous
in the great abolition movement. But it was not at all comical to those
most zealous in it; they never could see--more's the pity, for thereby
they lose much--the humorous side of their performances, and that is why
the pathos overcomes one's sense of the absurdity of such people.
THE YOUNG LADY. It is lucky for the world that so many are willing to be
absurd.
HERBERT. Well, I think that, in the main, the reformers manage to look
out for themselves tolerably well. I knew once a lean and faithful agent
of a great philanthropic scheme, who contrived to collect every year for
the cause just enough to support him at a good hotel comfortably.
THE MISTRESS. That's identifying one's self with the cause.
Public-domain text, read in full here on John Shaqi.
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