"An Epitaph on the admirable Dramaticke Poet, W. Shakespeare. What neede my Shakespeare for his honour'd bones, The labour of an Age in piled stones Or that his hallow'd Reliques should be hid Under a starrey-pointed Pyramid? Deare sonne of Memory, great Heire of Fame, What needst thou such dull witnesse of thy Name? Thou in our wonder and astonishment Hast built thy selfe a lasting Monument: For whil'st, to th' shame of slow-endevouring Art Thy easie numbers flow, and that each part, Hath from the leaves of thy unvalued Booke, Those Delphicke Lines with deepe impression tooke Then thou our fancy of her selfe bereaving, Dost make us Marble with too much conceiving, And so Sepulcher'd, in such pompe dost lie That Kings for such a Tombe would wish to die." We have pointed out in Chapter 10 and in Chapter 11 how clearly in "Loues Labour's lost," on page 136 of the folio of 1623, Bacon reveals the fact that he is the Author of the Plays, and we have shewn how the title pages of certain books support this revelation, beginning with the title page of the first folio of 1623 with its striking revelation given to us in the supposititious portrait which really consists of "a mask supported on two left arms." We may, however, perhaps here mention that instructions are specially given to all who can understand, in the little book which is said to be a continuation of Bacon's "Nova Atlantis," and to be by R. H., Esquire, [whom no one has hitherto succeeded in identifying]. [Illustration: Plate XXXIV Facsimile Title Page.] On Plate 34, Page 149, we give a facsimile of its Title Page which describes the book and states that it was printed in 1660. In this book a number of very extraordinary inventions are mentioned such as submarine boats to blow up ships and harbours, and telegraphy by means of magnetic needles, but the portion to which we now wish to allude is that which refers to a "solid kind of Heraldry." This will be found on pp. 23-4, and reads as follows: