Bacon is Shake-Speare: Together with a Reprint of Bacon's Promus of Formularies and EleganciesDurning-Lawrence, Edwin, Sir
History
Bacon is Shake-Speare: Together with a Reprint of Bacon's Promus of Formularies and Elegancies
Durning-Lawrence, Edwin, Sir
Shakespeare, William, 1564-1616 -- Authorship -- Baconian theory
Dr. W. H. Furness, the eminent American scholar, who was the father of
the Editor of the Variorum Edition of Shakespeare's Works, wrote to
Nathaniel Holmes in a letter dated Oct. 29th 1866: "I am one of the many
who have never been able to bring the life of William Shakespeare and
the plays of Shakespeare within planetary space of each other. Are there
any two things in the world more incongruous? Had the plays come down to
us anonymously, had the labor of discovering the author been imposed
upon after generations, I think we could have found no one of that day
but F. Bacon to whom to assign the crown. In this case it would have
been resting now on his head by almost common consent."
MARK TWAIN, b. 1835, d. 1910.
Samuel Langhorne Clemens, who wrote under the pseudonym of Mark Twain,
was,--it is universally admitted,--one of the wisest of men. Last year
(1909) he published a little book with the title, "Is Shakespeare dead?"
In this he treats with scathing scorn those who can persuade themselves
that the immortal plays were written by the Stratford clown. He writes,
pp. 142-3: "You can trace the life histories of the whole of them [the
world's celebrities] save one far and away the most colossal prodigy of
the entire accumulation--Shakespeare. About him you can find out
_nothing_. Nothing of even the slightest importance. Nothing worth the
trouble of stowing away in your memory. Nothing that even remotely
indicates that he was ever anything more than a distinctly common-place
person--a manager,[15] an actor of inferior grade, a small trader in a
small village that did not regard him as a person of any consequence,
and had forgotten him before he was fairly cold in his grave. We can go
to the records and find out the life-history of every renowned
_race-horse_ of modern times--but not Shakespeare's! There are many
reasons why, and they have been furnished in cartloads (of guess and
conjecture) by those troglodytes; but there is one that is worth all the
rest of the reasons put together, and is abundantly sufficient all by
itself--_he hadn't any history to record_. There is no way of getting
around that deadly fact. And no sane way has yet been discovered of
getting round its formidable significance. Its quite plain significance
--to any but those thugs (I do not use the term unkindly) is, that
Shakespeare had no prominence while he lived, and none until he had been
dead two or three generations. The Plays enjoyed high fame from the
beginning."
PRINCE BISMARCK, b. 1815, d. 1898.
Public-domain text, read in full here on John Shaqi.
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