Bacon's Essays, and Wisdom of the AncientsBacon, Francis
Philosophy
Bacon's Essays, and Wisdom of the Ancients
Bacon, Francis
Bacon, Francis, 1561-1626; English essays -- Early modern, 1500-1700; Mythology, Classical
12. I might say much of the commodities that death can sell a man;
but, briefly, death is a friend of ours, and he that is not ready to
entertain him, is not at home. Whilst I am, my ambition is not to
foreflow the tide; I have but so to make my interest of it as I may
account for it; I would wish nothing but what might better my days,
nor desire any greater place than the front of good opinion. I make
not love to the continuance of days, but to the goodness of them; nor
wish to die, but refer myself to my hour, which the great Dispenser
of all things hath appointed me; yet, as I am frail, and suffered for
the first fault, were it given me to choose, I should not be earnest to
see the evening of my age; that extremity, of itself, being a disease,
and a mere return into infancy; so that, if perpetuity of life might be
given me, I should think what the Greek poet said; “Such an age is a
mortal evil.” And since I must needs be dead, I require it may not be
done before mine enemies, that I be not stript before I be cold; but
before my friends. The night is even now: but that name is lost; it is
not now late, but early. Mine eyes begin to discharge their watch, and
compound with this fleshly weakness for a time of perpetual rest; and
I shall presently be as happy for a few hours, as I had died the first
hour I was born.
THE WISDOM OF THE ANCIENTS.
PREFACE.
The earliest antiquity lies buried in silence and oblivion, excepting
the remains we have of it in sacred writ. This silence was succeeded by
poetical fables, and these, at length, by the writings we now enjoy; so
that the concealed and secret learning of the ancients seems separated
from the history and knowledge of the following ages by a veil, or
partition-wall of fables, interposing between the things that are lost
and those that remain.[615]
Many may imagine that I am here entering upon a work of fancy, or
amusement, and design to use a poetical liberty, in explaining poetical
fables. It is true, fables, in general, are composed of ductile
matter, that may be drawn into great variety by a witty talent or an
inventive genius, and be delivered of plausible meanings which they
never contained. But this procedure has already been carried to excess;
and great numbers, to procure the sanction of antiquity to their own
notions and inventions, have miserably wrested and abused the fables of
the ancients.
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