Bacon's Essays, and Wisdom of the AncientsBacon, Francis
Philosophy
Bacon's Essays, and Wisdom of the Ancients
Bacon, Francis
Bacon, Francis, 1561-1626; English essays -- Early modern, 1500-1700; Mythology, Classical
The Destinies, or the natures and fates of things, are justly made
Pan’s sisters, as the chain of natural causes links together the rise,
duration, and corruption; the exaltation, degeneration, and workings;
the processes, the effects, and changes, of all that can any way happen
to things.
Horns are given him, broad at the roots, but narrow and sharp at the
top, because the nature of all things seems pyramidal; for individuals
are infinite, but being collected into a variety of species, they
rise up into kinds, and these again ascend, and are contracted into
generals, till at length nature may seem collected to a point. And no
wonder if Pan’s horns reach to the heavens, since the sublimities of
nature, or abstract ideas, reach in a manner to things divine; for
there is a short and ready passage from metaphysics to natural theology.
Pan’s body, or the body of nature, is, with great propriety and
elegance, painted shaggy and hairy, as representing the rays of things;
for rays are as the hair or fleece of nature, and more or less worn by
all bodies. This evidently appears in vision, and in all effects and
operations at a distance; for whatever operates thus, may be properly
said to emit rays.[621] But particularly the beard of Pan is exceeding
long, because the rays of the celestial bodies penetrate, and act to a
prodigious distance, and have descended into the interior of the earth,
so far as to change its surface; and the sun himself, when clouded on
its upper part, appears to the eye bearded.
Again, the body of nature is justly described biform, because of the
difference between its superior and inferior parts, as the former, for
their beauty, regularity of motion, and influence over the earth, may
be properly represented by the human figure, and the latter, because of
their disorder, irregularity, and subjection to the celestial bodies,
are by the brutal. This biform figure also represents the participation
of one species with another; for there appear to be no simple natures,
but all participate or consist of two: thus, man has somewhat of the
brute, the brute somewhat of the plant, the plant somewhat of the
mineral; so that all natural bodies have really two faces, or consist
of a superior and an inferior species.
There lies a curious allegory in the making of Pan goat-footed, on
account of the motion of ascent which the terrestrial bodies have
towards the air and heavens; for the goat is a clambering creature,
that delights in climbing up rocks and precipices; and in the same
manner the matters destined to this lower globe strongly affect to rise
upwards, as appears from the clouds and meteors.
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