Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
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Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
“Well, I hope you are glad he is so well, Jesse,” said Mildred in an
injured tone.
“Oh, yessum,” said Jesse, scratching his head. “Lor’, yessum. Dey ain’t
nobody no gladder dan what I is; but it come on me so sudden, ma’m, dat
it sorter skeer me.”
“Well, it doesn’t frighten me,” said Mildred. “It makes me very happy.”
“Yessum,” replied Jesse deferentially. He made no further comment; but
after Mildred had gone to attend to her school duties he made it his
business to keep an eye on the Judge, and the closer the negro watched,
the more forcibly was he struck by the great change that a night had made
in the old man.
“I hear talk ’bout folks bein’ conjured inter sickness,” Jesse said to
himself, “but I ain’t never hear talk ’bout dey bein’ conjured so dey git
well.”
Certainly a great change had come over Judge Bascom. He stood firmly on
his feet once more. He held his head erect, as in the old days, and when
he talked to Jesse his tone was patronizing and commanding, instead of
querulous and complaining. He seemed to be very fastidious about his
appearance. After Mildred had gone to her school, Jesse was called in to
brush the Judge’s hat and coat and to polish his shoes. The Judge watched
this process with great interest, and talked to the negro in his blandest
manner. This was not so surprising to Jesse as the fact that the Judge
persisted in calling him Wesley; Wesley was the Judge’s old body-servant
who had been dead for twenty years. It was Wesley this and Wesley that so
long as Jesse was in the room, and once the Judge asked how long before
the carriage would be ready. The negro parried this question, but he
remembered it. He was sorely puzzled an hour afterwards, however, when
Judge Bascom called him and said:—
“Wesley, tell Jordan he need not bring the carriage around for me. I will
walk. Jordan can bring your mistress when she is ready.”
“Well,” exclaimed Jesse, when the Judge disappeared in the house, “dis
bangs me! What de name er goodness put de ole man Jerd’n in his min’,
which he died endurance er de war? It’s all away beyant me. Miss Mildred
oughter be yer wid her pa right now, yit, ef I go atter her, dey ain’t no
tellin’ what he gwine do.”
Jess cut an armful of wood, and then made a pretense of washing dishes,
going from the kitchen to the dining-room several times. More than once
he stopped to listen, but he could hear nothing. After a while he made
bold to peep into the sitting-room. There was nobody there. He went into
the Judge’s bedroom; it was empty. Then he called—“Marster! oh, Marster!”
but there was no reply. Jess was in a quandary. He was not alarmed, but
he was uneasy.
“Ef I run en tell Miss Mildred dat Marster done gone som’ers,” he said
to himself, “she’ll des laugh en say I ain’t got no sense; en I don’t
speck I is, but it make my flesh crawl fer ter hear folks callin’ on dead
niggers ter do dis en do dat.”
Public-domain text, read in full here on John Shaqi.
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