Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
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Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
But Mr. Grissom’s curiosity would not have been satisfied. Judge Bascom
was sitting in a large rocking-chair, enjoying the pleasant evening air,
and the others were sitting near, talking on the most ordinary topics.
This situation was one of the doctor’s prescriptions, as Miss Sophie
said. Those around were to wear a cheerful air, and the Judge was to be
humored in the belief that he was once more the proprietor of the Bascom
Place. He seemed to respond to this treatment in the most natural way.
The old instinct of hospitality rose in him and had its way. He grew
garrulous indeed, and sat on the piazza, or walked up and down and talked
by the hour. He was full of plans and projects, and some of them were
so suggestive that Francis Underwood made a note of them for further
consideration. The Judge was the genial host, and while his daughter was
full of grief and humiliation at the position in which she was placed, he
appeared to draw new life and inspiration from his surroundings. He took
a great fancy to Miss Sophie: her observations, which were practical in
the extreme, and often unflattering, were highly relished by him. The
Judge himself was a good talker, and he gave Miss Sophie an opportunity
to vent some of her pet opinions, the most of which were very pronounced.
As for Mildred, in spite of her grief and anxiety, she found her
surroundings vastly more pleasant than she had at first imagined they
could be. Some instinct or prepossession made her feel at home in the old
house, and as she grew more cheerful and more contented she grew more
beautiful and more engaging. At least, this was the opinion of Francis
Underwood.
“Brother,” said Miss Sophie one day when they were together, “you are in
love.”
“I don’t know whether to say yes or no,” he replied. “What is it to be in
love?”
“How should I know?” exclaimed Miss Sophie, reddening a little. “I see
you mooning around, and moping. Something has come over you, and if it
isn’t love, what is it?”
He held up his hands, white and muscular, and looked at them. Then he
took off his hat and tousled his hair in an effort to smooth it with his
fingers.
“It is something,” he said after a while “but I don’t know what. Is love
such an everyday affair that it can be called by name as soon as it
arrives?”
“Don’t be absurd, brother,” said Miss Sophie, with a gesture of protest.
“You talk as if you were trying to take a census of the affair.”
“No,” said he; “I am trying to get a special report. I saw Dr. Bynum
looking at you over his spectacles yesterday.”
Miss Sophie tried to show that this suggestion was an irritating one, but
she failed, and then fell to laughing.
“I never knew I was so full of humor before,” said Francis Underwood, by
way of comment.
“And I never knew you could be so foolish—to me,” said Miss Sophie, still
laughing. “What is Dr. Bynum to me?”
“Not having his spectacles to look over, how do I know?”
Public-domain text, read in full here on John Shaqi.
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