Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
As Major Jimmy Bass used to say, the years cut many queer capers as they
go by. The major in his own proper person had not only witnessed, but had
been the victim, of these queer capers. Hillsborough was a very small
place indeed, and, for that very reason perhaps, it was more sensitive
to changes in the way of progress and decay than many larger and more
ambitious towns.
However this may have been, it is certain that the town, assisted
by the major, had noted the queer capers the years had cut in the
neighborhood of the old Bascom Place. This attitude on the part of
Hillsborough—including, of course, Major Jimmy Bass—may be accounted for
partly by the fact that the old place had once been the pride and delight
of the town, and partly by the fact that the provincial eye and mind are
nervously alert to whatever happens within range of their observation.
Before and during the war the Bascom Place was part and parcel of a
magnificent estate. The domain was so extensive and so well managed that
it was noted far and wide. Its boundary lines inclosed more than four
thousand acres of forests and cultivated fields. This immense body of
land was known as the old Bascom Place.
Bolling Bascom, its first owner, went to Georgia not long after the close
of the Revolution, with a large number of Virginians who proposed to
establish a colony in what was then the far South. The colony settled in
Wilkes County; but Bolling Bascom, more adventurous than the rest, pushed
on into middle Georgia, crossed the Oconee, and built him a home, and
such was his taste, his energy, and his thrift, that the results thereof
may be seen and admired in Hillsborough to this day.
But the man, like so many of his fellow-citizens then and thereafter,
was land-hungry. He bought and bought until he had acquired the immense
domain, which, by some special interposition of fate or circumstance,
is still intact. Meantime he had built him a house which was in keeping
with the extent and richness of his landed possessions. It was planned in
the old colonial style, but its massive proportions were relieved by the
tall red chimneys and the long and gracefully fashioned colonnade that
gave both strength and beauty to the spacious piazza which ran, and still
runs, the whole length of the house.
When Bolling Bascom died, in 1830, aged seventy years, as the faded
inscription on the storm-beaten tablet in the churchyard shows, he left
his son, Briscoe Bascom, to own and manage the vast estate. This son was
thirty years old, and it was said of him that he inherited the gentle
qualities of his mother rather than the fiery energy and ambition of his
father.
Bolling Bascom was neither vicious nor reckless, but he was a thorough
man of the world. He was, in short, a typical Virginian gentleman, who
for his own purposes had settled in Georgia.
Public-domain text, read in full here on John Shaqi.
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