Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
As for the daughter, she was in blissful ignorance of the situation. She
was a stranger among strangers, and so was not affected by the lack of
sociability on the part of the townspeople—if, indeed, there was any lack
so far as she was concerned. The privations she endured in common with
her father were not only sufficient to correct all notions of vanity or
self-conceit, but they had given her a large experience of life; they
had broadened her views and enlarged her sympathies, so that with no
sacrifice of the qualities of womanly modesty and gentleness she had
grown to be self-reliant. She attracted all who came within range of her
sweet influence, and it was not long before she had broken down all the
barriers that prejudice against her father might have placed in her way.
She established a primary school, and what with her duties there and with
her music-class she soon had as much as she could do, and her income
from these sources was sufficient to support herself and her father in a
modest way; but it was not sufficient to carry out her father’s plans,
and this fact distressed her no little.
Sometimes Judge Bascom, sitting in the narrow veranda of the little house
they occupied, would suddenly arouse himself, as if from a doze, and
exclaim:—
“We must save money, daughter; we must save money and buy the old Place
back. It is ours. We must have it; we must save money.” And sometimes, in
the middle of the night, he would go to his daughter’s bedside, stroke
her hair, and say in a whisper:—
“We are not saving enough money, daughter; we must save more. We must buy
the old Place back. We must save it from ruin.”
IV.
There was one individual in Hillsborough who did not give the cold
shoulder to Judge Bascom on his return, and that was the negro Jesse,
who had been bought by Major Jimmy Bass some years before the war
from Merriwether Bascom, a cousin of the Judge. Jesse made no outward
demonstration of welcome; he was more practical than that. He merely went
to his old master with whom he had been living since he became free, and
told him that he was going to find employment elsewhere.
“Why, what in the nation!” exclaimed Major Bass. “Why, what’s the matter,
Jess?”
The very idea was preposterous. In the Bass household the negro was
almost indispensable. He was in the nature of a piece of furniture that
holds its own against all fashions and fills a place that nothing else
can fill.
“Dey ain’t nothin’ ’t all de matter, Marse Maje. I des took it in my
min’, like, dat I’d go off some’r’s roun’ town en set up fer myse’f,”
said Jesse, scratching his head in a dubious way. He felt very
uncomfortable.
“Has anybody hurt your feelin’s, Jess?”
“No, suh! Lord, no, suh, dat dey ain’t!” exclaimed Jesse, with the
emphasis of astonishment. “Nobody ain’t pester me.”
“Ain’t your Miss Sarah been rushin’ you roun’ too lively fer to suit your
notions?”
“No, suh.”
“Ain’t she been a-quarrelin’ after you about your work?”
Public-domain text, read in full here on John Shaqi.
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