Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Major Bass said he wouldn’t, and he didn’t, and that is the reason he
expressed surprise when Joe-Bob Grissom informed him that Jesse was
waiting on the old Judge and his daughter. Major Jimmy was talkative and
fond of gossip, but he had too much respect for his wife’s judgment and
discretion to refuse to toe the mark, even when it was an imaginary one.
The Bascom family had no claim whatever on Jesse, but he had often heard
his mother and other negroes boasting over that they had once belonged
to the Bascoms, and fondness for the family was the result of both
tradition and instinct. He had that undefined and undefinable respect
for people of quality that is one of the virtues, or possibly one of the
failings, of human nature. The nearest approach to people of quality, so
far as his experience went, was to be found in the Bascom family, and he
had never forgotten that he had belonged to an important branch of it.
He held it as a sort of distinction. Feeling thus, it is no wonder that
he was ready to leave a comfortable home at Major Jimmy Bass’s for the
privilege of attaching himself and his fortunes to those of the Judge and
his daughter. Jesse made up his mind to take this step as soon as the
Bascoms returned to Hillsborough, and he made no delay in carrying out
his intentions.
Early one morning, not long after Judge Bascom and his daughter had
settled themselves in the modest little house which they had selected
because the rent was low, Mildred heard some one cutting wood in the
yard. Opening her window blinds a little, she saw that the axe was
wielded by a stalwart negro a little past middle age. Her father was
walking up and down the sidewalk on the outside with his hands behind
him, and seemed to be talking to himself.
A little while afterwards Mildred went into the kitchen. She found a fire
burning in the stove, and everything in noticeably good order, but the
girl she had employed to help her about the house was nowhere to be seen.
Whereupon the young lady called her—
“Elvira!”
At this the negro dropped his axe and went into the kitchen.
“Howdy, Mistiss?”
“Have you seen Elvira?” Mildred asked.
“Yes’m, she wuz hangin’ roun’ yer when I come roun’ dis mornin’. I went
in dar, ma’m, en I see how de kitchen wuz all messed up, en den I sont
her off. She de mos’ no ’countest nigger gal what I ever laid my two eyes
on. I’m name’ Jesse, ma’m, en I use’ ter b’long ter de Bascom fambly when
I wuz a boy. Is you ready fer breakfus, Mistiss?”
“Has my father—has Judge Bascom employed you?” Mildred asked. Jesse
laughed as though enjoying a good joke.
“No ’m, dat he ain’t! I des come my own se’f, kaze I know’d in reason you
wuz gwine ter be in needance er somebody. Lord, no ’m, none er de Bascoms
don’t hafter hire me, ma’m.”
“And who told you to send Elvira away?” Mildred inquired, half vexed and
half amused.
Public-domain text, read in full here on John Shaqi.
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