Baled Hay: A Drier Book than Walt Whitman's "Leaves o' Grass"Nye, Bill
General
Baled Hay: A Drier Book than Walt Whitman's "Leaves o' Grass"
Nye, Bill
American wit and humor
Matrimony has broken out there in a large family in some instances, and
has not even spared the widowed and toothless mother. It generally seeks
its prey among the youngest and fairest, but in Utah it has not spared
even the old and the infirm. Like a cruel epidemic, it has at first
raked in the blooming maidens of Mormondom and at last spotted the
lantern jawed dregs of foreign female emigration. In one community, this
great scourge entered and took all the women under forty-five, and then
got into a block where there were nineteen old women who didn't average
a tooth apiece, and swept them away like a cyclone.
People who do not know anything of this great evil, can have no
knowledge of it. Those who have not investigated this question have
certainly failed to look into it. We cannot find out about this question
without ascertaining something of it.
INCONGRUITY
|OUR attention has been called recently to an illustration by Hopkins
in a work called Forty Liars, in which a miner is represented as sliding
down a mountain in a gold pan with a handle on it. Mr. Hopkins, no
doubt, labors under a wrong impression of some kind, relative to the
gold pan. He seems to consider the gold pan and the frying pan as
synonymous. In this he is wrong.
The gold pan is a large low pan without a handle and made of very
different metal from a skillet or frying pan.
The artist should study as far as possible to imitate nature and not
make a fool of himself. Some artists consider it funny to represent a
farmer milking a cow on the wrong side. They also show the same farmer,
later on, plowing with a plow that turns the furrow over to the left,
another eccentricity of genius. There are many little things like this
that the artist should look into more closely so as not to bust up the
eternal fitness of things.
We presume that Mr Hopkins would represent a gang of miners working a
placer with giant powder and washing out smelting ore in a tin dipper.
Its pretty hard, though, for an artist who never saw a mining camp, to
sit and watch a New York beer tournament and draw pictures of life in a
mining camp, and people ought not to expect too much.
RIDING DOWN A MOUNTAIN.
|GUNNISON CITY is one of the peculiarities of a mining boom. It spreads
out and slops over the plain like a huge camp meeting, but without shape
or beauty.
Public-domain text, read in full here on John Shaqi.
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