Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
But with a few such trifling exceptions, the tone toward the skipper
is universally one of earnest respect and sympathy, the keynote of
every ballad being the frank, unconscious heroism of this "gude Sir
Patrick Spens." In regard to the foundation for the story, Scott
maintains that "the king's daughter of Noroway" was Margaret, known to
history as the Maid of Norway, daughter of Eric, king of Norway, and
of Margaret, daughter of Alexander III. of Scotland. This last-named
monarch died in 1285, the Maid of Norway, his yellow-haired little
granddaughter, being the heiress to his crown. The Maid of Norway
died, however, before she was of age to assume control of her
turbulent Scottish kingdom. Scott surmises, on the authority of the
ballad, that Alexander, desiring to have the little princess reared in
the country she was to rule, sent this expedition for her during his
life-time. No record of such a voyage is extant, although possibly the
presence of the king is a bold example of poetic license, and the
reference is to an earlier and more disastrous embassy than that
finally sent by the Regency of Scotland, after Alexander's death, to
their young queen, Sir Michael Scott of wizard fame being at that time
one of the ambassadors. Finlay, on the other hand, places this ballad
in the days of James III., who married Margaret of Denmark. Here we
have historic testimony of the voyage, but none of the shipwreck,--yet
against any one of these theories the natural objection is brought
that so lamentable a disaster, involving so many nobles of the realm,
would hardly be suffered to escape the pen of the chronicler.
Motherwell, Maidment, and Aytoun, relying on a corroborative passage
in Fordun's _Scotichronicon_, hold with good appearance of reason that
the ballad pictures what is known as an actual shipwreck, on the
return from Norway of those Scottish lords who had escorted thither
the bride of Eric, the elder Margaret, afterward mother of the little
Maid of Norway. The ballad itself well bears out this theory,
especially in the taunt flung at the Scottish gallants for lingering
too long in nuptial festivities on the inhospitable Norwegian coast.
The date of this marriage was 1281. _Skeely_, skilful. _Gane_,
sufficed. _Half-fou_, half-bushel. _Gurly_, stormy.
Public-domain text, read in full here on John Shaqi.
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