Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
ROBIN HOOD RESCUING THE WIDOW'S THREE SONS. After Ritson, who has
collected in two volumes the ballads of Robin Hood. This is believed
to be one of the oldest of them all. A concise introduction to the
Robin Hood ballads is given by Mr. Hales in the _Percy Folio MS_.
vol. i. This legendary king of Sherwood Forest is more rightfully the
hero of English song than his splendid rival, the Keltic King Arthur,
"whose name, a ghost,
Streams like a cloud, man-shaped, from mountain peak,
And cleaves to cairn and cromlech still."
Yet there is scarcely less doubt as to the actual existence of a
flesh-and-blood Robin Hood than there is as to the actual existence of
a flesh-and-blood King Arthur. But let History look to her own;
Literature need have no scruple in claiming both the archer-prince of
outlaws and the blameless king of the Table Round. Robber chieftain or
democratic agitator, romantic invention or Odin-myth, it is certain
that by the fourteenth century Robin Hood was a familiar figure in
English balladry. We have our first reference to this generous-hearted
rogue of the greenwood, who is supposed by Ritson to have lived from
1160 to 1247, in Langlande's _Piers Ploughman_ (1362). There are
brief notices of the popular bandit in Wyntoun's _Scottish Chronicle_
(1420), Fordun's _Scotichronicon_ (1450), and Mair's _Historia Majoris
Brittaniae_ (1521). Famous literary allusions occur in Latimer's
_Sixth Sermon before Edward VI_. (1548), in Drayton's _Polyolbion_
(1613), and Fuller's _Worthies of England_ (1662). The Robin Hood
ballads illustrate to the full the rough and heavy qualities, both of
form and thought, that characterize all our English folk-songs as
opposed to the Scottish. We feel the difference instantly when a
minstrel from over the Border catches up the strain:
"There's mony ane sings o'grass, o'grass,
And mony ane sings o'corn;
And mony ane sings o'Robin Hood,
Kens little whar' he was born.
"It was na' in the ha', the ha',
Nor in the painted bower;
But it was in the gude greenwood,
Amang the lily flower."
Yet these rude English ballads have just claims on our regard. They
stand our feet squarely upon the basal rock of Saxon ethics, they
breathe a spirit of the sturdiest independence, and they draw, in a
few strong strokes, so fresh a picture of the joyous, fearless life
led under the green shadows of the deer-haunted forest by that
memorable band, bold Robin and Little John, Friar Tuck and George a
Green, Will Scarlett, Midge the Miller's Son, Maid Marian and the
rest, that we gladly succumb to a charm recognized by Shakespeare
himself: "They say he is already in the forest of Arden, and a many
merry men with him; and there they live like the old Robin Hood of
England; they say many young gentlemen flock to him every day, and
fleet the time carelessly, as they did in the golden world."--_As You
Like It._
Public-domain text, read in full here on John Shaqi.
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