His rural retreat, indeed, was scarcely the safe asylum he had fondly
hoped it would be. Allusion has already been made to one defect--that
of the walls which, unlike those of Jericho, did not wait for the
trumpeters' blast before they fell down. They had an incurable
preference for tumbling down of themselves. Constructed on a subsoil
of sandy nature, their foundations yielded at every spell of rain. In
vain, architect after architect was applied to, and one mode or
another was recommended of relaying and buttressing. At the next
downpour, the servant would disturb his master with the news: "The
walls have toppled over again, sir, into the neighbours' gardens." And
the neighbours' gardens were planted with all kinds of edible
vegetables, which were crushed and pounded out of shape and
succulence, so that the owner of Les Jardies had claims for damage
continually sent in, until, in sheer despair, pledging his credit more
deeply, he purchased the land beyond, content, at length, that his
walls should be able to carry on their freaks in his own demesne,
without let or hindrance or objection from any one. It is said that
the land on which Les Jardies stood was so much on the incline that
Frederick Lemaitre, who once ventured over there, was compelled to
take a couple of stones and place them at each step under his feet in
order to approach the house. This was, no doubt, one of the actor's
jokes. It is probable that, in selecting the site, Balzac had in his
thought the facility the place would afford for reconnoitering when
any one came to his doors. The domestics were directed to keep a sharp
look-out; and, as soon as a figure was seen approaching that appeared
to be a creditor or of the State functionary tribe, the blinds of the
abode were lowered, the dog Turk was dungeoned, and every trace of
there being inhabitants vanished. After ringing uselessly, the
unwelcome visitor generally retreated under the impression that the
place was deserted. Then, when the last echo of his steps had died
away in the distance, the blinds were drawn up again, Turk, barking
with joy, was released from his captivity, and, like the castle of the
Sleeping Beauty, Les Jardies re-awoke to its normal activity. How ever
the tiers of planted beds perched one above the other--a modern
example of the hanging gardens of Babylon--were made to resist the
solicitations of the walls was a puzzle to Balzac's familiars. As for
trees, only one, a walnut, managed, by dint of perpetual acrobatism,
to conserve a stable equilibrium.
Public-domain text, read in full here on John Shaqi.
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