At Les Jardies he had small creditors as well as great, fear of whom
haunted him to the extent of curtailing his walks abroad. Leon Gozlan
relates that, going over to Ville d'Avray early one morning, he found
Balzac taking a constitutional round the asphalt of his house. "Come
and have a stroll in the woods," said the visitor. "I am afraid,"
answered Balzac. "Of what or whom?" "Of the keeper." Not understanding
why the novelist, who would not explain, should be in dread of this
humble functionary, and imagining that much study and labour had made
his friend a little mad, Gozlan took no denial, and, button-holing
Balzac, lugged him off into the leafy avenues. And there, sure enough,
after a while, they saw the bugbear, who, as soon as he perceived the
two pedestrians, bore down on them with plodding but vigorous step.
The shorter of the two turned pale, but tried to put on an air of
dignified indifference. Soon the official ran in under their lee,
passed alongside with slackened pace, and clarioned into the
novelist's ear: "Monsieur de Balzac, this is beginning to get
musical." The owner of Les Jardies quailed in his shoes. He owed the
man thirty francs.
CHAPTER X
LETTERS TO "THE STRANGER," 1841, 1842
The abode that Balzac chose, on coming back to live within the city
walls, was not far from the Rue de Chaillot which had been his address
before he removed to Sevres. It was situated in what is now called the
Rue Raynouard, but then bore the name of the Rue Basse. In reality,
the street is low only at one end, to which it descends from some high
land that forms the Passy and Trocadero quarter, and, for some
distance, overhangs the Seine. The whole of the street is narrow and
winding, and still has an old-time provincial aspect, though the
modern building has begun to make its appearance in it, replacing the
ancient mansions surrounded by gardens with ever-encroaching blocks of
flats.
Balzac's new house was at Number 19 (at present Number 47). It stood
--and the house still stands--in a back garden, on a lower level than
the road, from which it was masked by houses fronting the causeway.
Any one approaching it from the side of the Rue Basse would enter the
common vestibule of one of these houses, go down some stone steps, and
would then find himself in a courtyard, opposite a fairly good-sized,
apparently one-storied cottage, with the tree adorned garden to the
right of him. Once inside the cottage, however, he would notice that
it was built on the extreme upper edge of a precipitous slope, and
that on the farther side the structure had lower stories, with an
issue through them into a lane at the rear leading to the Seine banks
and the lower portion of the Rue Basse. Whoever, therefore, inhabited
the cottage could quit it fore or aft, an advantage which must have
weighed with the incoming tenant, tracked as he was by creditors, and
hiding himself here under the name of Madame de Brugnol.
Public-domain text, read in full here on John Shaqi.
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