"It was born from a comparison between humanity and animality. It
would be an error to believe that the great quarrel which in recent
times has arisen between Cuvier and Geoffroy Saint-Hilaire is
concerned with a scientific innovation. The _unity of composition_
involved in it had already, under other terms, occupied the greatest
minds of the two preceding centuries. On reading over again the
extraordinary works of such mystic writers as Swedenborg,
Saint-Martin, etc., who have studied the relations of science with the
infinite, and the writings of the finest geniuses in natural history,
such as Leibnitz, Buffon, Charles Bonnet, etc., one finds in the
monads of Leibnitz, in the organic molecules of Buffon, in the
vegetative force of Needham, in the _jointing_ of similar parts of
Charles Bonnet--who was bold enough to write in 1760: 'The animal
vegetates like the plant;' one finds, I say, the rudiments of the
beautiful law of _self for self_ on which the unity of composition
reposes. There is only one animal. The Creator has made use only of
one and the same pattern for all organized beings. The animal is a
principle which acquires its exterior form, or, to speak more exactly,
the differences of its form, in the surroundings in which it is called
upon to develop. The various zoologic species result from these
differences. The proclamation and upholding of this system, in
harmony, moreover, with the ideas we have of the Divine power, will be
the eternal honour of Geoffroy Saint-Hilaire, who was the vanquisher
of Cuvier on this point of high science, and whose triumph was
acknowledged in the last article written by the great Goethe."
Continuing his exposition, the novelist says all men resemble each
other, but in the same manner as a horse resembles a bird. They are
also divided into species. These species differ according to social
surroundings. A peasant, a tradesman, an artist, a great lord are as
distinct from each other as a wolf is from a sheep. Besides, there is
another thing peculiar to man, viz. that male and female are not
alike, whereas among the rest of the animals, the female is similar to
the male. The wife of a shopkeeper is sometimes worthy to be the
spouse of a prince, and often a prince's wife is not worth an
artist's. Then, again, there is this difference. The lower animals are
strictly dependent on circumstances, each species feeding and housing
itself in a uniform manner. Man has not such uniformity. In Paris, he
is not the same as in a provincial town; in the provinces, not the
same as in rural surroundings. When studying him, there are many
things to be considered--habitat, furniture, food, clothes, language.
In fine, the subject taken up by a novelist who wishes to treat it
properly, comprises man as an integral portion of a social species,
woman as not peculiarly belonging to any, and _entourage_ from its
widest circumference of country down to the narrowest one of home.
Public-domain text, read in full here on John Shaqi.
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