"There is all my fortune," he said. "You can have it for any book you
please to write for me."
At the sight of them Balzac burst out laughing.
"How can you imagine, Monsieur, that I--I--de Balzac! who sold my
_Studies of Manners and Morals_ not long ago to Madame Bechet for
thirty-six thousand francs--I, whose collaboration to the _Revue de
Paris_ is ordinarily remunerated by Buloz at five hundred francs per
sheet, should forget myself to the point of handing you a novel from
my pen for a thousand crowns? You cannot have reflected on your offer,
Monsieur; and I should be entitled to look upon your step as
unbecoming in the highest degree, were it not that your frankness in a
measure justifies you."
Barbier tried to plead for his friend, and mentioned that, in
consideration of Werdet's share in the transaction with Madame Bechet,
a second edition of the _Country Doctor_ might be granted him for the
three thousand francs. But Balzac, retorting that whatever service had
been rendered was not to himself but by himself, dismissed his
visitors with the words:
"We have spent an hour, gentlemen, in useless talk. You have made me
lose two hundred francs. For me, time is money. I must work. Good-day."
They left, and Barbier, to comfort his friend, prophesied that, in
spite of this reception, Balzac would enter into _pourparlers_ with
him, and that Werdet had only to wait, and news would be received from
the Rue Cassini shortly. He was not mistaken. Three days elapsed and
then Werdet had the following note sent him:--
"SIR,--You called upon me the other day when my head was preoccupied
with some writing that I wanted to finish, and I consequently did not
very well comprehend what was your drift. To-day, my head is freer. Do
me the pleasure to call on me at four o'clock, and we can talk the
matter over."
Werdet waited nearly a week before he paid the requested visit. In
quite another tone, the novelist discussed the proposed scheme,
promised to use his influence on the young publisher's behalf, and
gave him the _Country Doctor_ for the price offered.
Thenceforward, a familiar guest in the dwelling of the Rue Cassini,
Werdet described it in detail, when composing his _Portrait Intime_.
It was part of a two-storied _pavilion_ (as the French call a
moderate-sized house) standing to the left in a courtyard and garden,
with another similar building on the right. From the ground-floor a
flight of steps led up to a glass-covered gallery joining the two
buildings and serving as an antechamber to each. Its sides were hung
in white and blue-striped glazed calico; and a long, blue-upholstered
divan, a blue and brown carpet, and some fine china vases filled with
flowers, adorned it. From the gallery the visitor proceeded into a
pretty drawing-room, fifteen feet square, lighted on the east by a
small casement that looked over the yard of a neighbouring house.
Opposite the drawing-room door was a black marble mantelpiece.
Public-domain text, read in full here on John Shaqi.
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