The _salon_ gave access to the bedroom and the dining-room, the latter
being connected with the kitchen underneath by a narrow staircase. A
secret door in the _salon_ opened into the bathroom with its walls of
white stucco, its bath of white marble, and its red, opaque
window-panes diffusing a rose-coloured tint through the air. Two
easy-chairs in red morocco stood near the bath.
The bedroom, having two windows, one towards the south and the
observatory, the other overlooking a garden of flowers and trees, was
very bright and cheery. The furniture, with its shades of white, pink,
and gold, was rich and handsome. A secret door existed also in this
chamber, hidden behind muslin hangings; it led down the same narrow
staircase already mentioned to the kitchen, and thence out into the
yard. Nanon, Balzac's cook, less discreet than Auguste, the
valet-de-chambre, had tales to tell Werdet about certain lady visitors
who arrived by means of this private staircase into the daintily
arranged bedroom.
The study, of oblong shape, about eighteen feet by twelve, had
likewise two windows affording a view only over the yard of the next
house, which, being lofty, made the room dark, even in the sunniest
weather. Here the furniture was simple, the principal piece being an
exceedingly fine ebony bookcase, with mirrored panels. It contained a
large collection of rare books, all bound in red morocco and set off
with the escutcheon of the d'Entragues family. Among them were nearly
all the authors who had written on mysticism, occult science, and
religion. Opposite the bookcase, between the windows, was a carved
ebony cabinet filled with red morocco box-cases, and on the top of the
cabinet stood a plaster statuette representing Napoleon I. Across the
sword-sheath was stuck a tiny paper with these words written by the
novelist: "What he could not achieve with the sword I will accomplish
with the pen. Honore de Balzac."
On the mantelpiece decorated with a mirror, there was an alarum in
unpolished bronze, together with two vases in brown porcelain. And on
either side of the mirror hung all sorts of woman's trifles; here, a
crumpled glove, there a small satin shoe; and, further, a little rusty
iron key. Questioned as to the significance of this last article, the
owner called it his talisman. There was also a diminutive framed
picture exhibiting beneath the glass a fragment of brown silk, with an
arrow-pierced heart embroidered on it, and the English words: _An
Unknown Friend_. In front of a modest writing-table covered with green
baize was a large Voltaire arm-chair upholstered in red morocco; and
about the room were a few other ebony chairs covered in brown cloth.
Public-domain text, read in full here on John Shaqi.
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