German fiction -- Translations into English; Holy Roman Empire -- History -- Charles V, 1519-1556 -- Fiction
She probably admitted to herself that in doing so she would incur a
great risk, but it seemed easier to lose her greatest treasure entirely
than only to half possess it; and when she had once looked this thought
in the face it attracted her, as with the gaze of a basilisk, more and
more strongly.
The afternoon of the following day, with the marquise, she entered the
scene of festivity under the lindens.
To punish Barbara for not returning her greeting, the gray-haired lady
in waiting had at first been inclined to excuse herself on the plea of
illness; but the taste for amusement with which her nature was still
pervaded, as well as curiosity to see the much-discussed Duke Maurice,
and the desire to watch Barbara’s conduct, drew her to the place where
the festival was held.
Ratisbon had done her best to receive this guest, whom she especially
desired to honour, with all possible magnificence. Flags and streamers
bearing the colours of the empire, with the Burgundian red and gold
of the Emperor, the silver-crossed keys on a red field of the city of
Ratisbon, and with the Saxon coats of arms, rose amid the leafy tops of
the lindens, and floated from tall poles in the sunny May air. The blue
and yellow Saxon flag, with the black and yellow chevron in the field
and a lozenged chaplet from the left corner to the top, was more
frequently seen than any other banner.
Even though this festival was held for Duke Maurice, no one could fail
to notice how much more space was given to his escutcheon than to the
Emperor’s.
The entertainment had opened at noon with a tournament and riding at the
ring. The duke had participated in the sport a short time, and carried
off several rings on his sword while in full career.
The Emperor had held aloof from this game, in which he had formerly
joined gladly and with much skill, but, on the other hand, he had
promised to appear at the festival under the lindens, which was to last
until night. The Council had had a magnificent tent erected for him,
Duke Maurice, and the court, and in order to ornament the interior
suitably had allowed the use of the beautiful tapestries in the town
hall. These represented familiar incidents from famous love tales:
Tristan and Isolde seeing the face of King Mark in the mirror of the
spring, Frau Venus as, surrounded by her court, she receives Tannhauser
in the Horselberg, and similar scenes. Other art textiles showed
incidents in the lives of forest people--little men and women in striped
linen garments, wonderful trees and birds such as no human eye ever
beheld--but above the hangings a row of coats of arms again appeared, in
which the imperial escutcheon alternated with the Saxon.
The front of the tent, covered with red and white material, stood open,
permitting the guests who did not belong to the court to survey the
interior.
Public-domain text, read in full here on John Shaqi.
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