German fiction -- Translations into English; Holy Roman Empire -- History -- Charles V, 1519-1556 -- Fiction
In this way, and while playing on the harp and the lutes, her solitude
was best endured. Her husband’s journeys often led him through the whole
Netherlands and the valley of the Rhine as far as Strasbourg and Basle,
and her father had returned to Ratisbon.
She had found no new friends in Brussels, and had not endeavoured to
gain any.
Loneliness, which she had dreaded in the heyday of her early youth, no
longer alarmed her, for quiet reveries and dreams led her back to the
time when life had been beautiful, when she had enjoyed the love of
the greatest of mortals, and art had given her existence an exquisite
consecration.
With the loss of her voice--she was now aware of it--many of the best
things in her life had also ceased to exist. Her singing might perhaps
have lured back her inconstant lover, and had she come to Brussels
possessing the mastery of her voice which was hers during that happy
time in May, her life would have assumed a totally different form.
Gombert, who had induced her to move hither, had urged her with the best
intentions during their drive to Landshut to change her residence. When
he did so, however, Barbara was still connected with the Emperor, and
he was animated by the hope that the trouble in her throat would be
temporary.
It would have been easy to throw wide to a singer of her ability the
doors of the aristocratic houses which were open to him; for, except his
professional comrades, he associated only with the wealthy nobles in the
upper part of the city, who needed him for the brilliant entertainments
which they understood how to arrange so superbly. The Oranges, Egmont,
Aremberg, Brederode, Aerschot, and other heads of the highest nobility
in Brabant would have vied with one another to present her to their
guests, receive her at their country seats, and invite her to join
their riding parties. Where, on the contrary, could he expect to find a
friendly reception for the wife of a poor officer belonging to the lower
nobility, who was said to have forfeited the Emperor’s favour, who
could offer nothing to the ear, and to the eye only a peculiar style of
beauty, which she could enhance neither by magnificent attire nor by any
other arts?
Had she been still the Emperor Charles’s favourite, or had he bestowed
titles and wealth upon her, more might have been done for her; but as
it was, nothing was left of the favour bestowed by the monarch save
the stain upon her fair name. Deeply as Gombert regretted it, he could
therefore do nothing to make her residence in Brussels more agreeable.
He was not even permitted to open his own house to her, since his wife,
who was neither more jealous nor more scrupulous than most other wives
of artists, positively refused to receive the voiceless singer with the
tarnished reputation.
Worthy Appenzelder associated exclusively with men, and thus of her
Ratisbon friends not one remained except Massi, the violinist, and the
Maltese choir boy, Hannibal Melas.
Public-domain text, read in full here on John Shaqi.
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