Barbarossa; An Historical Novel of the XII Century.Bolanden, Conrad von
History
Barbarossa; An Historical Novel of the XII Century.
Bolanden, Conrad von
Germany -- History -- Frederick I, 1152-1190 -- Fiction
Eberhard of Salzburg inaugurated the ceremonies with the greatest
solemnity. Frederic and seven other princes bore the shrine through the
streets, which were lined by the knights, in complete armor, in order
to keep back the crowd. Flags floated from every turret and spire, and
the windows were decked with rich draperies and ornaments of gold and
silver, above which appeared the reverent faces of the pious
inhabitants. The streets were hidden beneath masses of flowers and
costly carpets; the bells tolled, and the people chanted hymns of
thanksgiving and of praise. Rinaldo himself, magnificently dressed,
seemed, as he walked along with clasped hands, to be animated by the
same sentiment of respectful awe which pervaded all classes of the
spectators. Occasionally he glanced stealthily at the Emperor with
every evidence of satisfaction on his features, for the crafty
chancellor fully appreciated the motives which had influenced his
sovereign to this parade of outward devotion.
Rechberg took part in the religious ceremony in an entirely different
frame of mind. He prayed fervently, joined in the sacred chants of the
congregation, and repeated audibly the invocations of the people. With
a lively faith in the power of the holy kings, he laid bare to them his
inmost heart, and sought their intercession. He besought them to draw
down the blessing of God upon his approaching marriage with
Hermengarde, promising that he would, after its solemnization, suspend
three silver lamps as a votive offering in their honor from the dome of
the Cathedral of Cologne. He pronounced this vow at the moment that the
procession crossed the nave to replace the shrine in the body of the
church. Seats for the Empress and other Court ladies had been erected
on either side; and Rechberg, who did not understand the Latin prayers
chanted by the clergy, desired to contemplate the brilliant spectacle
presented by the Imperial suite. He thought that he had sufficiently
honored the relics by his devotions. He remembered the vaunted beauty
of the Countess Richenza of Champagne, and he gazed curiously around.
The benches on the right were occupied exclusively by Beatrice and her
ladies of honor; the Countess must necessarily be on the other side, to
which his back was turned. He might by a slight movement change his
position, but he feared lest his action might appear rude. After a
moment's hesitation, however, he stepped forward so that his face was
concealed by the main altar, and then, certain that he had not been
remarked, he turned round unaffectedly. His curiosity was immediately
gratified. In the first row, at a few paces only from him, knelt the
daughter of the Count of Champagne. Her veil was thrown back, and a
cloud of fair hair fell in rich masses upon her neck. Her eyes were
fixed upon the shrine, and her lips moved as though in prayer.
Public-domain text, read in full here on John Shaqi.
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