Barbarossa; An Historical Novel of the XII Century.Bolanden, Conrad von
History
Barbarossa; An Historical Novel of the XII Century.
Bolanden, Conrad von
Germany -- History -- Frederick I, 1152-1190 -- Fiction
The church was filled to overflowing. Pascal offered up the holy
sacrifice, upon the tomb of the blessed Apostles Peter and Paul, in the
presence of those who, instead of discharging the functions of their
sacred ministry, had entered God's sanctuary like thieves and robbers.
The people often have singular presentiments, and scarcely had Pascal
mounted the steps of the altar, when a murmur of discontent broke out.
For a moment a riot seemed imminent, and many of the spectators
endeavored to leave the church, through dread of some violence to the
Antipope, the Emperor, and the schismatical bishops.
During the ceremony, Frederic knelt devoutly, and Beatrice took her
place by the side of her husband.
At the conclusion of the Mass, Frederic ascended his throne, and Pascal
seated himself in the pontifical chair, which was placed opposite. The
Emperor wore the Imperial crown, in his right hand he held the sceptre,
in his left the globe. In the space between the two thrones knelt the
bishops, all of whom rose when Rinaldo proceeded to the altar to read
aloud the formula, by which the clergy were to swear allegiance to
Pascal as lawful Pope.
The organ and the solemn chants ceased; and Rinaldo's voice resounded
through the church, while the people looked on with sullen interest.
The hands were raised, the oath administered, and then each in turn
approached the Emperor's throne to pledge him his obedience.
On the first step they bowed respectfully, on the second they knelt
before the monarch and kissed the hand which held the sceptre; then
they moved towards the altar, knelt before Pascal and kissed his
pastoral ring, in token of submission.
Meanwhile the organ broke out into a joyful strain, and the choir sang,
but the melody found no echo in the hearts of the Romans.
The conviction that the schismatic Pascal was a mere tool of the
Emperor, and that this assembly was composed of bishops who were aliens
to the Church, wounded all their preconceived ideas. They feared lest
the vengeance of God should come to punish this usurpation of Saint
Peter's chair. Many again tried to leave the church, but the crowd
without choked up all egress.
The Emperor placed his right hand (which had borne the sceptre) upon
his knee, and each bishop kissed it as he passed, but he scarcely
perceived their presence. His haughty soul was floating in an ocean of
gratified pride. At last he was seated in that place which Alexander
once had occupied, and where his predecessors used to receive the
homage of Christendom. What a change! Alexander was a helpless
fugitive, and Pascal was his creature, his puppet; he himself was the
real _Pontifex Maximus_. Absolute master of Church and State, he was at
last at the pinnacle of greatness; success had crowned his efforts; all
Christendom was his vassal. He glanced towards the kneeling bishops,
and then his eyes turned to the crowd as if he could no longer delay
the moment when they too should swear him their allegiance.
Public-domain text, read in full here on John Shaqi.
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