Hawthorne heard her in England, and “on the whole, was not very much
interested in her.” Thackeray wrote his wife from Cambridge, England:
“Then we went to Jenny Lind’s concert, for which a gentleman here gave
us tickets, and at the end of the first act we agreed to come away. It
struck me as atrociously stupid. I was thinking of something else the
whole time she was jugulating away, and O! I was so glad to get to the
end and have a cigar, and I wanted so to go away with Mr. Williams,
for I feel entirely out of place in this town.” It is significant that
Carlyle and Thackeray, and as we shall see when we come to America,
Walt Whitman, were all dissenters from the Lind religious wave, but it
does not necessarily mean that she did not have a good voice. It does
seem to indicate clearly, however, taken along with the evidence of
Mendelssohn’s reluctant admission, that she did not sing good music.
Then, too, the very extravagance of the popular mania with its false
sentiment and absurd idolatry were likely to prejudice these men
against what had been heralded to them as a phenomenon of the ages and
what turned out to be only a benevolent soul coupled with a lovely
voice, who usually sang most commonplace and oftentimes dull music to
the accompaniment of large-scale fatuity upon the part of her doting
audiences.
III
Jenny Lind went to England in April, 1847, and was greeted cordially by
Mendelssohn, who was conducting four performances in London of his new
oratorio, _Elijah_. She was also welcomed by her friends, Grote, the
historian, and his wife. She made her début at Lumely’s Her Majesty’s
Theater on May 4, 1847, and the excitement was intense. From early
hours in the afternoon, until half-past seven when the doors were
opened, crowds stood outside in the Haymarket, and when the theater was
finally opened, there was a crush which was named later “the Jenny Lind
crush,” in which gentlemen lost their hats and ladies parts of their
dresses. Before she sang a note the audiences applauded loudly, and
after her concerts the newspapers were extravagant in their adulation.
Public-domain text, read in full here on John Shaqi.
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